It has been a banner year for Seijun Suzuki thanks to Arrow (Academy & Video), with the release of two boxsets featuring 10 of his early Nikkatsu movies [video], the Taishō Roman Trilogy and now, the latest of the bunch, Detective Bureau 2-3: Go to
Be you a fan of horror or genre cinema, as much as you’d like the opposite to be true, you can’t know about all movements and styles – it’s that very reason why, I, personally, appreciate Arrow Video more than I can put into words.
If DVDs wore out like VHS did, my old Hong Kong Legends Iron Monkey DVD would’ve been degraded to the degree that it’d probably play more like a bootleg than a legitimate release. Everyone has movies like that, movies where you know you want to
Russian cinema is certainly one for its figureheads. Sergei Eisenstein was instrumental in many theories that would go on to establish the cinematic language. Andrei Tarkovsky established and nigh on perfected the arthouse. And since his passing there wasn’t really much of a centerpiece for
101 films co-produced a new making-of documentary for Stephen Frears’ The Grifters. In which, a producer states that Martin Scorsese believed Jim Thompson’s novel of the same name was among the best crime novels that hadn’t been adapted and so sought to amend that fact.
Back to 1942 is one of the bleakest movies of recent years, Feng Xiaogang directed a horrifying presentation on the human cost of war. The 2012 movie showed an invading army turning their weapons on civilians, people selling their children just so said offspring can
In 1999, Hideo Nakata’s gloomy horror masterwork, Ring, popularised a wave of horror films from Japan that took the world by storm under the banner of J-Horror. J-Horror, like any genre or movement, has its line-up of standards and tropes, with the harsh digital look
Tak Sakaguchi retiring was a bit of a running joke once upon a time, with news reports flipping sides on a near-daily basis. “Today he isn’t retiring, tomorrow he is”. Unfortunately, the ‘speed master’, friend of Sion Sono, and surprisingly good actor within the martial
Laika films have a remarkable position in modern cinema, not only are they keeping the wonder of stop-motion animation alive for the next generation, much like Aardman here in the UK, but they are also being the flag bearer for gateway movies. Between Paranorman, Coraline,
In interviews, Jackie Chan has admitted again and again that he prefers working in Hong Kong over America, he has stated that in his native Hong Kong the camera is an observer in any action scene, watching the events take place, allowing the performers to