All posts by Rob Simpson

Shaft (1971)

Few things in pop culture have an associated piece of music that precedes it as widely as Shaft. Isaac Hayes legendary and academy recognised score and song is identifiable from its first few bars and with good reason too, Hayes is one of the kings

The Party

There are Elephants in the room that are both literal and metaphorical in the Party, the latest release from Eureka. One appears in the final chaotic throes of the titular party and the other is represented by Peter Sellers in brownface adopting an Indian accent.

S15E01 – Glam Rock and New Beginnings

We were off for a while, launching our Youtube, travelling about and doing things we utterly regret. You know? Normal Summer stuff. With two months off we return with a new form, I know we have changed a lot and had loads of styles of

The Howling

Joe Dante is a beloved man, his films are among the most humble and darkly funny the genre world has to offer. His work is the point which light and dark intersect within the horror and science fiction cannons. That is true save for the

Kills on Wheels

Representation is the big issue – who is having their stories told and which actors are being deprived of acting opportunities. Unfortunately, race and gender are as far as this dialogue have been extended. People who have lifelong disabilities either by accident or birth are

Erik the Conqueror

In “Gli Imatori”, a visual essay featured in an uncharacteristically spartan selection of arrow video features, Michael Mackenzie comments on Italian cinema’s propensity to copy (escape from New York becomes 2019: After the Fall of New York, for example) as this latest Mario Bava title

The Saga of Anatahan

In a recent self-titled documentary Brian De Palma stated that film-makers produce their best works between the age of 30 and 50, between that and the industry forever pursuing new and interesting voices, it makes ‘the final movie’ an incredibly interesting topic of discussion. Legendary

Wolf Warrior II

How American cinema has changed since the 1980s, I’ll use the action film as the conduit to make this point. Back then we had ridiculously over the top, jingoistic, star vehicles centred around a handful of names. Now, those films are shot and financed exclusively

Doberman Cop

Once upon a time, it was instantly apparent when a film was based on a comic or graphic novel as those films concerned themselves with the super-powered and the otherworldly, then around the mid-1990s there was a paradigm shift and the nature of these titles

The Bird with the Crystal Plumage

Dario Argento is synonymous with the Giallo (Heavily stylised Italian Murder/Slasher) whereby one of his latter day and inferior films carries the very same moniker, similarly, his directorial debut the Bird with the Crystal Plumage counts among the most acclaimed and beloved movies in the