All posts by Rob Simpson

Frightfest 2018 | Boar

For horror fans up and down the UK, the highlight of the calendar is Frightfest and since its first-ever event back in 2000, it has gone down as one of our best-known film festivals, with a reputation that extends beyond our tiny little island and

Frightfest 2018 | Lifechanger

For horror fans up and down the UK, the highlight of the calendar is Frightfest and since its first-ever event back in 2000, it has gone down as one of our best-known film festivals, with a reputation that extends beyond our tiny little island and deep into

Frightfest 2018 – The Dark

For horror fans up and down the UK, the highlight of the calendar is Frightfest and since its first-ever event back in 2000, it has gone down as one of our best-known film festivals, with a reputation that extends beyond our tiny little island and deep into

Police Story 1 & 2

Let’s be honest, what is there really left to say about Police Story? It’s one of the icons of Hong Kong action, it launched a 7 movie spanning franchise, it was pivotal in making Jackie Chan one of the most beloved faces in world cinema,

The Changeling (1980)

In the extras of Second Sight’s The Changeling is a video appreciation from the producer of TV’s Masters of Horror, Mick Garris (Hocus Pocus & Critters 2). This is one of many features that was originally made for Severin’s release in America, in this five-minute

Iron Monkey

If DVDs wore out like VHS did, my old Hong Kong Legends Iron Monkey DVD would’ve been degraded to the degree that it’d probably play more like a bootleg than a legitimate release. Everyone has movies like that, movies where you know you want to

Loveless

Russian cinema is certainly one for its figureheads. Sergei Eisenstein was instrumental in many theories that would go on to establish the cinematic language. Andrei Tarkovsky established and nigh on perfected the arthouse. And since his passing there wasn’t really much of a centerpiece for

The Grifters

101 films co-produced a new making-of documentary for Stephen Frears’ The Grifters. In which, a producer states that Martin Scorsese believed Jim Thompson’s novel of the same name was among the best crime novels that hadn’t been adapted and so sought to amend that fact.