There’s a running bit in Steve Jobs, Danny Boyle’s most irritating film, where the title character repeatedly explains the importance of making phones that are slightly smaller and more functional than other phones by comparing them to major flashpoints in art history – Dylan going electric, say, or the premiere […]
Graham Williamson
Masculin Féminin (1966): further adventures of Jean-Luc Godard (Review)
Criterion have supplied a typically solid set of extras for their UK Blu-Ray release of Jean-Luc Godard’s Masculin Féminin, including archive interviews with star Chantal Goya, appreciation by critic Freddy Buache and footage of Godard directing the film-within-a-film (of which, more later). If you want more, though, Emmanuel Laurent’s 2010 […]
A Glitch in the Matrix (2021): Room 237 director’s latest labyrinth (Review)
I Start Counting (1969): or, when is a reissue really a box set? (Review)
The Darjeeling Limited (2007) Wes Anderson’s Problem Play (Review)
Tales from the Urban Jungle: Brute Force (1947) and The Naked City (1948) (Review)
Film noir’s spiritual home has always been the streets. With The Naked City, though, Jules Dassin made that spiritual home into a literal home. Previous films had cooked up bustling metropolitan locations on Hollywood sound-stages, but Dassin’s film was the first film to take advantage of the new lightweight cameras […]