Reality is something to be surpassed in horror. The promotional line of being based on a ‘true story’ is something which is used as a basic inspiration point as illustrated by the original Amityville and Conjuring movies or the countless identikit exorcism films using this in their marketing spiel. Witch […]
Reviews
Manina, the Lighthouse-Keeper’s Daughter (1949) Host to the Best Extra Feature of 2017? (Review)
Let’s get the big issue out of the way first: Eureka’s new Blu-ray release of Manina, the Lighthouse-Keeper’s Daughter by Willy Rozier boasts the most unexpected and delightful extra feature of the year. It actually pertains not to the title feature, but to another Rozier film included as a bonus, […]
Body Heat (1981) Double Indemnity Reinvisioned as a Sexy 80s Neo-Noir (Review)
A Clockwork Orange (1971) One of the 1970s most controversial masterpieces (Review)
I guess A Clockwork Orange is something akin to a movie buff’s ‘Where were you when Kennedy was shot?’ moment. Every self-respecting film devotee from the UK is likely to recall the first time they watched Stanley Kubrick’s controversial masterpiece and, if you’re of a certain age, chances are you […]
The Wall (2017) a War movie with an element of Carpenteresque B movie about it (Review)
Thankfully not a film about Trump’s intentions regarding the US/Mexico border, The Wall is, in fact, a tense, psychological war movie from director Doug Liman. The Wall is essentially a three-hander (though in truth the vast chunk of its running time sees it operate more or less as a two-hander) […]
Voice of the Moon (1990) The Master, Federico Fellini’s Final Film (Review)
House of Wax (1953) An early Vincent Price classic that paved the way for many years to come (Review)
James Cameron has a lot to answer for, off the back of Avatar’s success film fans have been subjected to a decade of shoehorned 3D features. Luckily the trend has subsided outside of a biggest of superhero mega-blockbusters, otherwise, 3D has left the building. This decade wasn’t the first cycle, […]
The Crazies (1973) Romero obliterates small-town America in harsh anti-military satire (Review)
JD’s Revenge (1976) In touch with its culture, and has ideas that transcend its budget (Review)
The Villainess (2017) Bravura actioner containing two of the best scenes of the past decade (Review)
2017 has been a watershed year for Korean cinema. Park Chan-Wook, Kim Jee-Woon, and Joon Ho-Bong returned with the latter directing one of the largest budgets for a Netflix original. Beyond that upper echelon, cult aficionados Arrow Video have finally engaged with Korean cinema by releasing the acclaimed action film, […]