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Saturday, Apr 20, 2024
New REVIEWS!
The Cat and the Canary (1927) Hauntingly Expressionist Silent Classic Struggles without Words (Review)
Peter Five Eight (2024) An Attempt was Made by Spacey (Review)
The Bounty Hunter Trilogy (1969/72) Samurai Western Trilogy by way of James Bond? (Review)
The Foul King (2000) Rediscovering a Song Kang-ho Wrestling Romp (Review)
A Bittersweet Life (2005) & The Chaser (2008) Two Korean New Wave Classics (Review)
Shadow of Fire (2023)Tsukamoto At His Most… Hopeful? (Review)
Hamlet (2024): Age cannot wither McKellen’s Great Dane (Review)
Concrete Utopia (2023) Bleak and Brutal But Riveting Modern Dystopia (Review)
You’ll Never Find Me (2024): Visually Ambitious Slow-Burn Aussie Horror (Review)
Possessor (2020): Prestige Treatment for Gory Modern Classic (Review)
The Origin of Evil (2022) Two Thirds of a Fascinating Familial Thriller (Review)
Swordsman of all Swordsmen (1968) Essential Viewing for Fans of East Asian Action (Review)
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1
Shanghai 13 (1984): Lesser late-era from the master filmmaker, Chang Cheh (Review)
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Immoral Tales (1973) Art, History and Sex Cinema in the hands of Borowczyk (Review)
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The Night Sitter (2019) Evil Dead in the Suburbs (Review)
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Dark River (2017) … And the continued Ascendancy of Clio Barnard (Review)
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Separate Tables (1963) sophisticated fun save for some inadvertent unpleasantness
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You Are Not My Mother (2022) Folk Horror Terror in Working Class Ireland (VOD Review)
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Lost Highway (1997) David Lynch’s Neo-Noir Multiverse of Interpretation (Blu-Ray Review)
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Just Jim (2015) Just another low-key actor/director project, only with a surrealist edge (Review)
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11
Computer Chess (2013) Part Comedy, Part Doc, and Defiantly retro (Review)
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The Lair (2022)A return to form for Neil Marshall, this is not (Review)
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