Stalker (1979) Tarkovsky’s Infamous & Unfettered Artistic Vision (Review)

Solaris got the remake, Andrei Rublev got the Vatican’s thumbs-up, and Mirror famously caused Lars von Trier to declare Andrei Tarkovsky was God.  But the biggest cultural footprint of all the Russian director’s seven feature films undoubtedly belongs to Stalker.  His adaptation of Arkady and Boris Strugatsky’s novel Roadside Picnic has inspired a […]