Tag Archives: Arrow Academy

The Sorrow and the Pity

We British have a very simple way of boiling down WWII in our school history lessons. We were the good-hearted nation prone to stop any violent conflict. The Nazis showed up and did evil things, we went to war with them and we won. But

Aquarius

What I will say about Aquarius, the latest film from Brazilian filmmaker Kleber Mendonça Filho, is that it is an absorbing, detailed and considerate character study of its female protagonist – and more, that protagonist happens to be a woman in her mid-sixties. There really isn’t

Spotlight on a Murderer

Whether it’s Agatha Christie or the likes of Law & Order and NCIS commanding TV schedules today, the murder mystery is one of the dominant genres in narrative media. Literally, every conceivable police department has been imagined in every major city, then there are the

Shadows and Fog

One year following his overlooked 1990 film, Alice, Woody Allen followed that up with his tribute film towards the German expressionist film movement, Shadows and Fog. As the title suggests, Allen and cinematographer, Carlo Di Palma, soak the film in a misty and darkened b/w

Story of Sin

Story of Sin begins with a quintessentially Walerian Borowczyk image; the doors of a church confessional booth being opened.  Already, we can see so many things that fascinate this director, from what’s on screen (the frame-within-a-frame, the old-fashioned handmade props and sets) to the implicit (the unlocking

Radio Days

If you want to see an impressive track record from any filmmaker, then Woody Allen shines as one of the most prolific directors of modern times. Since 1982 with A Midsummer Night’s Sex Comedy, Woody has directed a film each and every year. This is

Alice

In his book Crackpot, John Waters devotes a chapter to his guilty pleasure movies – the joke being that the trash cinema most people would describe as a guilty pleasure is exactly what you’d expect Waters to unashamedly love.  Instead, the chapter is devoted to achingly

Crime and Misdemeanors

No matter how many times actors, writers and directors repeat that old saw about dying being easier than comedy, critics are still more likely to go into raptures about hard-hitting Oscar-season dramas than summer comedies.  One rare exception, enshrined as a great living American director

The Hired Hand

Following the industry-reshaping success of Easy Rider, the film’s three stars Dennis Hopper, Jack Nicholson and Peter Fonda took the opportunity to direct personal projects on a studio budget.  In the end, all three of them flopped, though they each have plenty of interest for