Tag Archives: Arrow Video

Erik the Conqueror

In “Gli Imatori”, a visual essay featured in an uncharacteristically spartan selection of arrow video features, Michael Mackenzie comments on Italian cinema’s propensity to copy (escape from New York becomes 2019: After the Fall of New York, for example) as this latest Mario Bava title

Stormy Monday

It would probably be impossible to make a genuinely anti-American film; as with rock and roll, the USA has contributed so much to the history of the art form that any political stance has to be tempered by the sheer cultural debt. Mike Figgis’s debut

Doberman Cop

Once upon a time, it was instantly apparent when a film was based on a comic or graphic novel as those films concerned themselves with the super-powered and the otherworldly, then around the mid-1990s there was a paradigm shift and the nature of these titles

The Bird with the Crystal Plumage

Dario Argento is synonymous with the Giallo (Heavily stylised Italian Murder/Slasher) whereby one of his latter day and inferior films carries the very same moniker, similarly, his directorial debut the Bird with the Crystal Plumage counts among the most acclaimed and beloved movies in the

Phantasm

There’s a loathable and inescapable truth in discussing the legacy of the horror franchise. Those titles with a tangible look, whether it’s the pallid white mask of Halloween’s Michael Myers, the grotesque abominations of Hellraiser’s Cenobites or the red and black sweater/bladed glove combo of

Lone Wolf and Cub

Hitherto with their UK run, the criterion collection hasn’t released many of their more challenging titles instead opting for classics and cult titles whether that comes from screwball comedies or classic noir. That broader avenue sees Criterion occupy the same arena as Eureka’s Masters of

Raising Cain

In Noah Baumbach and Jake Paltrow’s disarmingly forthright documentary, De Palma, its subject talks about the highs and lows of his career. In that one man and his camera documentary, there is one sentence that perfectly encapsulates how modest a man Brian De Palma is.

Bring Me the Head of Alfredo Garcia

Acclaim and success are very different beasts when considering the director, sometimes neither matter and the films they made that chimed with them the most have been overlooked or lost in the shuffle. Take the master of suspense himself, Alfred Hitchcock, his personal favourite was

Cinema Eclectica’s Best Home Video of 2016

As well as reviewing the latest releases, our in-house movie podcast, Cinema Eclectica, also acts as your guide to the increasingly labyrinthine home video market. The idea of collecting films isn’t quite the mainstream thing it once was, the rise of streaming and VOD services

The Hills Have Eyes (1977)

At the beginning and the end of 1977’s The Hills Have Eyes – now reissued on Blu-Ray by Arrow home video – clouds of dust blow through the desert like an all-American version of Hammer’s oppressive fog. It’s an early sign that writer-director Wes Craven