The Woman in the Window doesn’t break away from the conventions of film noir storytelling. Lang features a protagonist who is a well-established and cultured member of society rather than a mobster with a vengeance. Edward G. Robinson stars as Richard Wanley, a psychology professor who enjoys his job and loves his family. Needing a break from work, Wanley sends his wife and children off on a vacation so he can wind down. Suddenly, when walking down a street, an oil portrait of a beautiful femme fatale catches Richard’s eye in a storefront window. Coincidentally, Wanley bumps into the portrait’s subject, Alice Reed (Joan Bennett). They hit it off well, Reed invites Wanley back for some drinks at her apartment which he gladly accepts. What follows next is a classic case of Wanley being in the wrong place at the wrong time: an ex-lover of Reed’s storms into the apartment and strangles Richard out of rage. In self-defence, Wanley repeatedly stabs the lover and he forces himself to cover up the murder. How long can he hide away from this incident until the cops find out about his actions?
Mad and hectic, One, Two, Three is a Cold War satire that refuses to be one thing – slow. Here you have all the cast bellowing orders to each other like World War Three is on the horizon, the pacing zips by, and André Previn’s
In a 1995 interview packaged as part of Arrow Academy’s new restoration of The Apartment, Billy Wilder remembers a scene from David Lean’s Brief Encounter, a ‘black and white, very simple’ movie that he considers one of that director’s greatest. He and I have very
Body Heat opens on the scene of a distant burning restaurant as a witness, Ned Racine (William Hurt), watches from a bedroom window. As a kid, his family were regular diners there. Now, he sardonically speculates that the arsonist is one of his corrupt clients.