Artificial Intelligence is a concept as old as science fiction itself, and for much of that history it wasn’t the practical (if weird and problematic) tool that we know today. It was instead manifested as something that threatened humanity, and you need look no further than some classic examples like […]
Glasgow
In Flames (Glasgow Frightfest 2024)(Review)
Fifteen or so years ago a movie called In Flames would’ve conjured up images of Scandanavian terror, full of blacks and dark blues, probably quite nihilistic, where an unlucky group were victim to supernatural terrors from beyond. Admittedly, part of that hypothetical may be influenced by sharing a name with a Swedish […]
Mom (Glasgow Frightfest 2024)(Review)
The Well (Glasgow Frightfest 2024)(Review)
In the Well, sent on behalf of her father to restore a classic painting following a fire, budding art restorer Lisa (Lauren LaVera) becomes entangled in a centuries-old ritual involving murder, sacrifice, and dark magic. Fresh off the worldwide success of Terrifier 2, Lauren LaVera takes the lead in this […]
Wake Up (Glasgow Frightfest 2024)(Review)
If the name “RKSS” sounds familiar to you, it’s likely because they were the French-Canadian trio responsible for 2015’s quirky post-apocalyptic gore-fest Turbo Kid – likely the stand-out title of the kids-on-bikes-sploitation wave that sprung up around the mid-2010s, when the world was caught in the grip of Stranger Things […]
Custom (2024): Sexual Power Dynamics Blurred in Unsettling Debut (Glasgow Frightfest 2024)(Review)
With a tantalising teaser played during last year’s London Frightfest, Tiago Teixeira’s feature debut Custom makes its world premiere at the Glasgow edition. It centres on Harriet (Abigail Hardingham, also an associate producer) and Jasper (Rowan Polonski), a couple who have struggled to get success with their art and have […]
All You Need is Death (Glasgow Frightfest 2024)(Review)
Orphans (1998): Handles the ugly side of human nature, brilliantly (Review)
Before I start this review, I think it’s important that I give a little background context. 1998’s Orphans came at a time when the British film industry was in love with Scotland, following the success of Danny Boyle’s Shallow Grave ad, more importantly in terms of its cultural impact, Trainspotting. […]
