For any aspiring screenwriter, a tried and tested method for both selling and creating a new project is to take a film and move it somewhere else. What about Jaws in space? How about Die Hard in the white house? or, Evil Dead in the
Since breaking into the arthouse scene in 2002, Gasper Noe and controversy have never been far apart. In 2002 he gave the world a brutal and unsympathetic tale of rape in Irreversible, following that up in 2009 he directed Enter the Void and with that,
Cult Films have quickly made a name for themselves in the home release market as Italian cinema specialists – but very much at the Fellini/De Sica end of that country’s output, which on the surface makes them a strange choice to reissue Dario Argento’s brutal
There isn’t one set-in-stone way to make an art documentary, because there isn’t one set-in-stone way to appreciate art. Those who believe art should stand on its own, or trigger some kind of personal reading, may feel that the work is diminished by too much
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