Even though it’s only Walter Hill’s second feature, The Driver feels like it was made by someone with decades of experience. Hill takes tropes from old-school Westerns and Noirs and strips them back to their most primitive forms, although it retains a revisionist approach to the genres where no character […]
Isabelle Adjani
Immoral Tales (1973) Art, History and Sex Cinema in the hands of Borowczyk (Review)
Since one of the stated aims of Arrow’s Walerian Borowczyk collection has been to rescue his reputation from an association with pornography, it seems strange to say that including two of the late-period erotic films is a masterstroke. And yet it is. Viewed in context, Immoral Tales and its supporting […]