Film noir’s spiritual home has always been the streets. With The Naked City, though, Jules Dassin made that spiritual home into a literal home. Previous films had cooked up bustling metropolitan locations on Hollywood sound-stages, but Dassin’s film was the first film to take advantage of the new lightweight cameras […]
Jules Dassin
Cinema Eclectica 46 – Pete Best of the Apocalypse
This week we go full fan-theory. Brave waters indeed. In Off the Shelf we have a body-horror masterclass with David Cronenberg’s “Videodrome”, Jules Dassin’s “Thieves Highway” – the film-noir that’s totally not a western, Wong Kar Wai’s “The Grandmaster” and a surprise aided the randomizer, which became “The Ecstasy of […]