Tag Archives: Martin Scorsese

A Ciambra

A spectre is haunting cinema— the spectre of Italian neorealism. Spectral, because despite the critical and cultural ripples made by films like The Florida Project, American Honey, and Valeska Grisebach’s Western, these non-professional actors, semi-real situations and hitherto unexplored settings tend to be forgotten by

The Grifters

101 films co-produced a new making-of documentary for Stephen Frears’ The Grifters. In which, a producer states that Martin Scorsese believed Jim Thompson’s novel of the same name was among the best crime novels that hadn’t been adapted and so sought to amend that fact.

Breakheart Pass

A train is bound for Fort Humboldt, a snowcapped US Army frontier outpost where an outbreak of fatal diphtheria has decimated the regiment leaving the fort vulnerable and open to attack. On board the train is a detachment of soldiers set to relieve the sick

The Colour of Pomegranates

It’s a very large box for a very short film. Maybe you find that challenging, or intimidating, or mind-numbing, or somewhere between all three. If so, I’m not exactly sweetening the pot if I tell you that the film is a series of oblique, poetic

Pulp

It is a film about the abuse of a young girl by people in positions of power and the cover up this corruptible high society instigate to ensure they are never held to account for the crime they have committed.  It is a film that

Stormy Monday

It would probably be impossible to make a genuinely anti-American film; as with rock and roll, the USA has contributed so much to the history of the art form that any political stance has to be tempered by the sheer cultural debt. Mike Figgis’s debut