Tag Archives: Musical

Expresso Bongo

Let us imagine the pitch: a hotshot young writer and a director whose career spans groundbreaking horror, gritty drama and sexploitation decide to make a musical. But not just any musical – this would be a musical powered by stage performances, rather than the familiar

Tokyo Tribe

Nobody has quite the same grasp on the enfant terrible director as Japan: the 1960s and 70s had Seijun Suzuki and Kinji Fukusaku; the modern-day has Takashi Miike and the ever unpredictable Sion Sono. Japanese cinema has never had to try hard to find a

Nashville (1975)

Catching up with reviews for the immense catalogue of releases we’ve accumulated is one of Masters of Cinema’s latest releases and a film singled out as one of Altman’s best works – Nashville. On the sheer scale of the venture, thinking of this release as

Phantom of the Paradise

Brian de Palma is of a class of genre directors who rose to prominence in the 1970s and 80s that have become known for a specific type of film (see also Michael Mann and Dario Argento). That specific film is a violent and twisty thriller;

For Love’s Sake

As a director, Takashi Miike is impossible to define beyond his boundless productivity. Yakuza, musicals, superheroes, children friendly, gore, taboo baiting, samurai, horror, video game adaptations, these are well within Miike’s wheelhouse, there are few people in the world as outright eccentric. His latest to