“The street is watching” is a weighty and ominous line that conveys paranoia and trepidation, as well as knowledge of one’s surroundings, and it’s a line that echoes throughout Carlito’s Way, a fine example of one of the oldest and most American of film genres – the crime movie. When […]
New York
A Bread Factory Parts One and Two (2018) Epic art-world comedy (Review)
Tales from the Urban Jungle: Brute Force (1947) and The Naked City (1948) (Review)
Film noir’s spiritual home has always been the streets. With The Naked City, though, Jules Dassin made that spiritual home into a literal home. Previous films had cooked up bustling metropolitan locations on Hollywood sound-stages, but Dassin’s film was the first film to take advantage of the new lightweight cameras […]