“My name’s John Ford. I make Westerns. I don’t think there’s anyone in this room who knows more about what the American public wants than Cecil B. DeMille – and he certainly knows how to give it to them. But I don’t like you, C.B. I don’t like what you […]
Powerhouse
Orphans (1998): Handles the ugly side of human nature, brilliantly (Review)
Before I start this review, I think it’s important that I give a little background context. 1998’s Orphans came at a time when the British film industry was in love with Scotland, following the success of Danny Boyle’s Shallow Grave ad, more importantly in terms of its cultural impact, Trainspotting. […]