It’s our Halloween special, and the only horror film in cinemas involves a phone app that kills you. That’s as good a reason as any to do “The Last Black Man In San Francisco”, Joe Talbot’s warmly received debut. It is not, as you may think, a remake of I […]
Robert Wise
Cinema Eclectica 210 – Jules & Jim Up A Mountain
The Haunting (1963) the impenetrable monochrome terror of black and white horror (Review)
The transformation of the haunted-house subgenre began in Edgar Allen Poe’s The Fall of the House of Usher, where the house, rather than just the ghosts within it, demonstrated paranormal abilities. In his essay ‘Supernatural Horror’ H.P. Lovecraft argued that the point of Poe’s story was to show that the house […]