While he doesn’t have the same cut-through of his halycon days with Tetsuo, Bullet Ballet or A Snake of June, Shinya Tsukamoto is undoubtedly one of the more consistent filmmakers in Japan. This is partly due to that movie industry not being as buoyant as it once was, but also because he’s a director […]
Third Window Films
One Percenter (2023): Japanese Fall Guy delivers eighty-five minutes of mayhem (Review)
For some people, films about film-making are insufferable exercises in navel-gazing, nothing more than a way for self-absorbed artistes to force us to experience their creative angst. Yet there is a long history of this kind of meta-film within that least pretentious of genres, action. There’s a pretty simple reason […]
Mad Cats (2023) A Mixed Return to Japanese Madcap Comedy (Review)
Typhoon Club (1985) – Raging emotions and worries about adulthood [Review]
Typhoon Club is based off a screenplay by Yuji Kato, director Shinji Sōmai crafts a coming of age tale without sentimentality for its disaffected youths. This is made clear in the opening scene as teenage girls having an infectious dance party at the swimming pool turn their attentions onto Akira […]
Door / Door 2 (1988/1991): the high art of gut-level sleaze (Review)
What kind of films would be produced by a production house called the Directors Company? In a Western context, you could hazard a guess: serious-minded auteur films, unblemished by the crudities of genre, devoted to an artist’s personal vision. The Directors Company that existed in Japan from 1982 to 1992 […]
The Guard from Underground (1992): Kiyoshi’s Kurosawa’s Brutal Nineties Slasher (Review)
Director Kiyoshi Kurosawa has explored a variety of genres in a career spanning over forty years, and this release of his fourth feature, The Guard from Underground, demonstrates that his confidence in genre-hopping came early on. The film begins as a work-based drama, but gradually shifts into slasher horror as […]
River (2023) Junta Yamaguchi with another ambitious time-twisting treat (Frightfest 2023) (Review)
Junta Yamaguchi is a filmmaker who loves repeating himself, which is understandable given that his feature film work so far has concerned itself with two-minute cycles and loops in time that infuriate and complicate in equal measure. It should be clear from the outset, however, that this is not necessarily […]
Hiruko the Goblin (1991): A Uniquely Wild Fantasy Horror (Review)
Third Window continue their gradual releasing of director Shinya Tsukamoto’s filmography with his early feature known as Hiruko the Goblin overseas and Yokai Hunter: Hiruko in Japan, after the manga series of which two stories are adapted. Released in between the first two Tetsuo films that first made his name, […]
The Katsuhito Ishii Collection (1995-2022) (Review)
Shinya Tsukamoto PART 2 (A Snake of June & Kotoko) Podcast
C/W: Self Harm, Suicidal Thoughts, Invasion Thoughts, Depressive States. Yeah, the fact that I had to put one of those warnings before the episode synopsis but surely tell you that the content forthcoming hits on some very hard and heavy topics, Shinya Tsukamoto certainly goes to some exceptionally emotional places, […]