It can be daunting watching a film with a Mouchette-sized reputation. Robert Bresson’s second adaptation of a novel by Georges Bernanos (after 1951’s Diary of a Country Priest) is one of the most acclaimed works from one of France’s most heavyweight directors; it’s been cited as a favourite by everyone […]
Tony Rayns
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The first film by Apichatpong Weerasethakul begins with a shot that approximates the feeling of tuning an analogue radio; mysterious, haunting, archaic and likely to land you somewhere you weren’t expecting. It’s a black-and-white tracking shot through the front window of a moving vehicle, with an overlapping sound mix that […]