“It’s like a guy with a hunchback growth, and you meet a pretty good surgeon who takes it off, cleans it up, hardly any scars, and you go away. And you’re very thankful that that’s gone.“ That’s David Lynch – what am I talking about, of course, it’s David Lynch […]
Graham Williamson
Real (2019): breezy but uneven cycle through working-class romance (Review)
There’s something about bicycles in film, isn’t there? Ever since Vittoria de Sica’s Bicycle Thieves, the two-wheeled transport has been used to denote a kind of child’s-eye realism by Ridley Scott (Boy and Bicycle), the Dardenne brothers (The Kid With a Bike) and Haifaa al-Mansour (Wadjda). Even in the more […]
Story of a Love Affair (1950): lies, PIs and neorealism from Antonioni (Review)
Michelangelo Antonioni’s first feature film begins with a set of photographs being displayed for the camera and a warning that this won’t be the same old story. Already, he’s making promises: promises of narrative innovation, clearly, and promises that the camera – and therefore the viewer – will be active […]
Mr. Vampire (1985) the audacity of hop (Review)
Czechmate – In Search of Jiri Menzel (2018) a love letter to Czech New Wave (Review)
Scorsese Shorts (1963-74) supremely confident first steps of a master (Review)
John Ford at Columbia 1935-1958: Way outside the West (Review)
Curling: grips in ways a standard Hollywood thriller can’t manage (Review)
So do Second Run have some kind of insider knowledge, or…? Their first all-new release of 2020 (after a welcome Blu-Ray upgrade for Valerie and Her Week of Wonders) is Denis Côté’s Curling, a spare, paranoid film about self-isolation, home-schooling and precarious minimum-wage jobs. A rare chance for British audiences […]
The Navigator: still hugely impressive today (Review)
Eureka’s first box set of Blu-Ray Buster Keaton reissues, released in 2017, featured Steamboat Bill Jr., Sherlock Jr. and The General, the latter being the film that, more than any other, his contemporary auteur reputation rests on. The General was a critical and commercial flop on release; The Navigator, which […]
Antonio Gaudí (1984): pure cinema explores pure imagination (review)
Hiroshi Teshigahara, the first Asian filmmaker to be nominated for a Best Director Oscar, is today best remembered for his quartet of collaborations with the novelist Kōbō Abe: Pitfall, The Face of Another, The Ruined Map and Woman in the Dunes, the latter of which got the Academy’s attention. Criterion […]