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Thursday, Apr 30, 2026
New REVIEWS!
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable

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At Close Range (1986) – One of the most menacing dramas of the 1980s

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Room at the Top (1959): The Birth of British New Wave Cinema (Review)

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Recent Articles

  • DEBONE (Panic Fest 2026)

    30/04/2026
  • Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific

    24/04/2026
  • Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form

    22/04/2026
  • Salem’s Lot (1979): A Masterclass in Slow-Burn Horror

    22/04/2026
  • New Directors from Japan: Takashi Ono (2016-2023)

    20/04/2026

Charlie’s 3-step Island Rehab Program (The Moth and Confidence Man)

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What Does Willie Nelson Know? (White Rabbit & House of the Rising Sun)

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  • Podcasts
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The John Locke Mystery Begins (Tabula Rasa & Walkabout)

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Kyle Gallner (Dinner in America & More) Uncut Podcast

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  • Podcasts
  • All Of Us Are Lost

One of the Best & Most Expensive Pilots in Modern TV History? (Lost Pilot Part 1 & 2)

Archaeon 05/10/2024
  • Podcasts
  • Pop Screen

Halsley & Mosey Sumney in MaXXXine – Pop Screen 128

Archaeon 03/10/2024

Movies & Documentaries

    • Movies & Documentaries
    • Reviews

    Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific

    Alex Paine 24/04/2026
  • Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form

    22/04/2026
  • Salem’s Lot (1979): A Masterclass in Slow-Burn Horror

    22/04/2026
  • New Directors from Japan: Takashi Ono (2016-2023)

    20/04/2026
  • Knights of the Teutonic Order (1960): most super of the Polish “super productions”

    13/04/2026
  • Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike

    06/04/2026

Pop Culture

    • Pop Culture
    • Doctor Who

    Doctor Who A-Z #115: Logopolis (1981)

    Graham Williamson 18/04/2026
  • Outside the Blue Box: Three Kinds of Heat (1987)

    18/04/2026
  • Doctor Who A-Z #114: The Keeper of Traken (1981)

    16/04/2026
  • Doctor Who A-Z #113: Warriors’ Gate (1981)

    14/04/2026
  • Doctor Who A-Z #112: State of Decay (1980)

    12/04/2026
  • Doctor Who A-Z #111: Full Circle (1980)

    10/04/2026

From the Festivals

    • From the Festivals

    DEBONE (Panic Fest 2026)

    Rob Simpson 30/04/2026
  • Dead Bloom (Panic Fest 2026)

    20/04/2026
  • Creature of the Pines (Panic Fest 2026)

    20/04/2026
  • Break A Leg (Panic Fest 2026)

    15/04/2026
  • Dead Media (Panic Fest 2026)

    15/04/2026
  • Buffet Infinity (II) (Panic Fest 2026)

    14/04/2026

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