Skip to content
Wednesday, May 20, 2026
New REVIEWS!
The Professional (1981) Belmondo Goes Rogue for Revenge
Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking

The Geek Show

Reviews, Podcasts and More by Geeks, for Geeks

  • About
  • Movies & Docs
    • Film Festivals
  • Pop Culture
    • Doctor Who
    • Twin Peaks
    • From the Geek Show Team
  • Podcasts
    • All Of Us Are Lost
    • Pop Screen
    • The Geek Show
    • UNCUT
  • Patreon
  • YouTube
  • Get In Touch
  • Join Us

Trending Now

1

Slasher: Ripper (Complete: Season 5)(Review)

11/05/2023
2

Caveat (2020) The latest effort in Irish Horror’s killer run of form (Blu-ray Review)

01/03/2022
3

Stage Fright (1987) Slasher turned Silent Liminal Chiller once the lights go out (Review)

27/12/2021
4

A Jester’s Tale (1964) Karel Zeman’s Astonishing Anti-Historical War Epic (Review)

22/09/2014
5

Blow Out 4K (1981): A Taut, Tense and Involving Thriller (Review)

23/07/2024
6

He’s Watching (2022)Lockdown Found Footage stumbles across the finish-line (VOD Review)

17/10/2022
7

The Devil’s Men (1976) For those with a penchant for campy occultist enjoyable fluff (Review)

22/02/2022
8

Beach of the War Gods (1973) A Seven Samurai retelling with epic intensions (Review)

27/10/2023
9

The In-Laws (1979) a pure-bred comedy unicorn (Review)

16/08/2016
10

Messiah of Evil (1973) “They say that nightmares are dreams perverted” (Review)

26/10/2023
11

Ugetsu (1953) Mizoguchi, Japan’s most elusive master director (Review)

12/03/2019
12

The House by the Cemetery (1981) The Odd Duck of the Gates of Hell Trilogy (Review)

09/10/2023

Recent Articles

  • Doctor Who A-Z #117: Four to Doomsday (1982)

    20/05/2026
  • The Professional (1981) Belmondo Goes Rogue for Revenge

    19/05/2026
  • Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic

    19/05/2026
  • Outside the Blue Box: Truckload (2025)

    18/05/2026
  • Doctor Who A-Z #116: Castrovalva (1982)

    18/05/2026

Charlie’s 3-step Island Rehab Program (The Moth and Confidence Man)

17/11/2024

What Does Willie Nelson Know? (White Rabbit & House of the Rising Sun)

03/11/2024
  • Podcasts
  • All Of Us Are Lost

The John Locke Mystery Begins (Tabula Rasa & Walkabout)

Archaeon 20/10/2024
  • Podcasts
  • UNCUT

Kyle Gallner (Dinner in America & More) Uncut Podcast

Archaeon 11/10/2024
  • Podcasts
  • All Of Us Are Lost

One of the Best & Most Expensive Pilots in Modern TV History? (Lost Pilot Part 1 & 2)

Archaeon 05/10/2024
  • Podcasts
  • Pop Screen

Halsley & Mosey Sumney in MaXXXine – Pop Screen 128

Archaeon 03/10/2024

Movies & Documentaries

    • Movies & Documentaries
    • Reviews

    The Professional (1981) Belmondo Goes Rogue for Revenge

    Mark 19/05/2026
  • Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic

    19/05/2026
  • Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific

    24/04/2026
  • Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form

    22/04/2026
  • Salem’s Lot (1979): A Masterclass in Slow-Burn Horror

    22/04/2026
  • New Directors from Japan: Takashi Ono (2016-2023)

    20/04/2026

Pop Culture

    • Pop Culture
    • Doctor Who

    Doctor Who A-Z #117: Four to Doomsday (1982)

    Graham Williamson 20/05/2026
  • Outside the Blue Box: Truckload (2025)

    18/05/2026
  • Doctor Who A-Z #116: Castrovalva (1982)

    18/05/2026
  • Doctor Who A-Z #115: Logopolis (1981)

    18/04/2026
  • Outside the Blue Box: Three Kinds of Heat (1987)

    18/04/2026
  • Doctor Who A-Z #114: The Keeper of Traken (1981)

    16/04/2026

From the Festivals

    • From the Festivals

    Panic Fest 2026 – Online Shorts Roundup

    Robyn Adams 04/05/2026
  • DEBONE (Panic Fest 2026)

    30/04/2026
  • Dead Bloom (Panic Fest 2026)

    20/04/2026
  • Creature of the Pines (Panic Fest 2026)

    20/04/2026
  • Break A Leg (Panic Fest 2026)

    15/04/2026
  • Dead Media (Panic Fest 2026)

    15/04/2026

YouTube player
subscribeSubscribe
«
Prev
1
/
80
Next
»
loading
play
The Early Career of an FX Maestro — Johannes Roberts’ F with Dan Martin
play
A Masterpiece of Suburban Modern Horror - Bob Balaban's Parents with British FX Guru Dan Martin
play
Jim Jarmusch's Dead Man makes the West even wilder
play
A Beastie Boy, an LA punk and Timothy Leary hit the road...
play
The Jimi Hendrix Biopic Didn't Deserve Andre 3000
play
Bringing mod into the modern world - The Pebble and the Boy
play
The Fearless Brilliance of Peter Jackson's Bad Taste - Interview with FX Guru Dan Martin
play
Exploring the Oscar-winning music of Sinners
play
Bride and doom - the ill-fated film where Sting played Frankenstein
«
Prev
1
/
80
Next
»
loading

Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}