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Sunday, May 17, 2026
New REVIEWS!
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable

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Lady Reporter (1989) A Showcase for Cynthia Rothrock’s Abilities (Review)

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Recent Articles

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  • Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form

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  • Salem’s Lot (1979): A Masterclass in Slow-Burn Horror

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Movies & Documentaries

    • Movies & Documentaries
    • Reviews

    Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific

    Alex Paine 24/04/2026
  • Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form

    22/04/2026
  • Salem’s Lot (1979): A Masterclass in Slow-Burn Horror

    22/04/2026
  • New Directors from Japan: Takashi Ono (2016-2023)

    20/04/2026
  • Knights of the Teutonic Order (1960): most super of the Polish “super productions”

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  • Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike

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Pop Culture

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The Early Career of an FX Maestro — Johannes Roberts’ F with Dan Martin
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A Masterpiece of Suburban Modern Horror - Bob Balaban's Parents with British FX Guru Dan Martin
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Jim Jarmusch's Dead Man makes the West even wilder
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A Beastie Boy, an LA punk and Timothy Leary hit the road...
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The Jimi Hendrix Biopic Didn't Deserve Andre 3000
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Bringing mod into the modern world - The Pebble and the Boy
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The Fearless Brilliance of Peter Jackson's Bad Taste - Interview with FX Guru Dan Martin
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Exploring the Oscar-winning music of Sinners
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Bride and doom - the ill-fated film where Sting played Frankenstein
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