The most famous monsters in Hammer Studios’ repertoire were essentially the same ones Universal had hit paydirt with in the 1930s: Dracula, Frankenstein’s Monster, the mummy. But Hammer had plenty of other things to shock and disturb audiences with – zombies, Satanists, aliens, man-lizards and, at the end of the studio’s […]
Graham Williamson
The Haunting (1963) the impenetrable monochrome terror of black and white horror (Review)
The transformation of the haunted-house subgenre began in Edgar Allen Poe’s The Fall of the House of Usher, where the house, rather than just the ghosts within it, demonstrated paranormal abilities. In his essay ‘Supernatural Horror’ H.P. Lovecraft argued that the point of Poe’s story was to show that the house […]
There’s Always Vanilla (1971) George Romero’s Lo-Fi & Savage Anti-Advertising Satire (Review)
The Vikings (1958) The closest the Viking genre has to a John Ford movie (Review)
Vampir Cuadecuc (1971) A Surprisingly Sensual and Beautiful avant-garde Vampire Movie (Review)
Sometime in the early 2000s, a Peruvian government spokesman was forced to testily deny online rumours that some of the country’s cabinet were vampires. “A government cannot go around sucking the blood of its people”, the spokesman claimed, inviting the obvious rejoinder; which government has ever refrained from this? The […]
Certain Women (2016) a grown-up, unironic, realist film about ordinary people going through ordinary challenges (Review)
It’s always an interesting statement of values when a prestige home video label decides to release a recent film. Everyone agrees on Kurosawa, Lang and Welles, but which modern director would you put in their company? In America, the Criterion Collection has got behind Wes Anderson so consistently that it’s […]