I do love a good mashup of genres in a movie. From Horror Musicals to Sci-Fi Actioners, a blending of ideas and rules often hits my cinematic sweet spot and probably explains my penchant for Korean cinema. So when I heard of Edwin’s 2021 Indonesian film Vengeance is Mine, All […]
Reviews
Her Way (2022) Sentimental and melancholic but truthful (Cinema & VOD Review)
Root Letter (2022) Japanese Video Game turned evocative directorial debut (Cinema Review)
Two teenagers exchange letters. Both have considerable emotional baggage. The primary setting is the Deep South town of Baton Rouge, Louisiana (with some time in Tulsa, Oklahoma). Soft and lustrous lighting illuminates the hot and humid surroundings, prompting a dreamy sense of inertia in which contentment and frustration jostle for […]
The Weapon The Hour The Motive (1972) A left turn too many for this rare Giallo (Blu-Ray Review)
The Feast (2021): the first Welsh-language horror movie doesn’t want for ambition (Cinema Review)
The BFI currently determines which films are eligible to receive tax breaks using two tests: whether a film is British-financed, and whether it is “culturally British”. Breaking that down further, it is straightforward to think of films that are culturally Scottish, culturally English or culturally Irish, but very hard to […]
The Breaking Point (1950) Dark, Sweaty Classic Noir Lost in the Shadow of Howard Hawks (Blu-Ray Review)
Umberto D (1952) I’m Not Crying OK? It’s Just Something In My Eye (Review)
Released to Criterion this week is Umberto D., Vittorio De Sica’s classic film about a pensioner who struggles to make ends meet in an economically-ravaged Italy in the post-war years. A retired civil servant, the ageing Umberto is determined to keep his dignity as he navigates a series of challenges […]