An extraordinary film even by the standards of Criterion’s UK catalogue, Paul Schrader’s Mishima: A Life in Four Chapters is your go-to film to counter accusations that biopics are inherently stuffy, stylistically conservative Oscar-bait. And it’s all thanks to Hank Williams. After surviving the excesses of the ’70s New Hollywood, […]
Reviews
Loveless (2017) A Russian apocalyse within a dissolving marriage (Review)
Russian cinema is certainly one for its figureheads. Sergei Eisenstein was instrumental in many theories that would go on to establish the cinematic language. Andrei Tarkovsky established and nigh on perfected the arthouse. And since his passing there wasn’t really much of a centrepiece for Russian cinema, as such, it […]
The Mountain of the Cannibal God (1978) Not the Video Nasty Cannibal Horror you are looking for (Review)
The chances are that you’ve heard of the video nasties panic that gripped the UK during the 1980’s. 72 films were prosecuted by the British government for corrupting public morals, because one of the principal causes of violence and perversion in society are films. At least, that was the theory. […]
Midnight Cowboy (1969) the most risqué film to possibly ever win Best Picture (Review)
The Grifters (1990) Punk-ish Neo-Noir that kick-started one of the best eras of crime cinema (Review)
101 films co-produced a new making-of documentary for Stephen Frears’ The Grifters. In which, a producer states that Martin Scorsese believed Jim Thompson’s novel of the same name was among the best crime novels that hadn’t been adapted and so sought to amend that fact. With the legendary Taxi Driver […]
Inherit the Wind (1960) “something to believe in – which is not always the same as the truth” (Review)
In the mid 1950s, at the height of Joseph McCarthy’s anti-Communist campaign of political repression, a bold new courtroom drama opened on Broadway that allegorised a dire incident from America’s Christian fundamentalist history to excoriate the current climate of fear and repression. The play’s impact on the culture of America […]
Allure (2017) A modern equivalent to ’90s psychological thrillers like Single White Female (Review)
Breakheart Pass (1975) The Bronson Western that ran alongside New Hollywood (Review)
Youth (2017) Part political treatise, part dance movie, and part horror of War movie (Review)
Back to 1942 is one of the bleakest movies of recent years, Feng Xiaogang directed a horrifying presentation on the human cost of war. The 2012 movie showed an invading army turning their weapons on civilians, people selling their children just so said offspring can eat and enough self-sacrifice to […]