It’s time for “John Wick: Chapter 3 – Parabellum” or Wick in a Box or whatever it’s called, and before Aidan and Graham adjudicate the ultra-violence like a glove-carrying Asia Kate Dillon, we’ve got a Question of the Week where we ask for your favourite threequels. On the other side […]
Anjelica Huston
The Life Aquatic With Steve Zissou (2004) feels like a living watercolour painting (Review)
The Grifters (1990) Punk-ish Neo-Noir that kick-started one of the best eras of crime cinema (Review)
101 films co-produced a new making-of documentary for Stephen Frears’ The Grifters. In which, a producer states that Martin Scorsese believed Jim Thompson’s novel of the same name was among the best crime novels that hadn’t been adapted and so sought to amend that fact. With the legendary Taxi Driver […]
Keyframe 115 – Curing The Dubstep Flu
The Royal Tenenbaums (2001) Wes Anderson at his profoundly sad, moving and redemptive best (Review)
Reputations are a slippery thing, and directors sometimes start their career with one that completely contradicts the one they get later. The French critics who would come to damn Spielberg as the McDonalds of cinema had previously swooned over the existential spareness of Duel. Likewise, after works like O Brother, […]