How American cinema has changed since the 1980s, I’ll use the action film as the conduit to make this point. Back then we had ridiculously over the top, jingoistic, star vehicles centred around a handful of names. Now, those films are shot and financed exclusively
It’s our first trans-continental episode this week as Mick gets magically transported to Dubai. We also have news future Spider-man movies (that isn’t actually news), and some very strange DC crossovers. Our featured comics and manga are Valerian: Ambassador of Shadows, Swordless by Nikki Kidura,
Everything’s backwards this week as we start off with our featured anime – Parasyte: The Maxim (Kiseijuu: Sei no Kakuritsu) part 2, Gundam Reconguista in G and Is It Wrong To Try To Pick Up Girls In A Dungeon? (Dungeon ni Deai wo Motomeru no
Aside from the return of Duck Tales, Devilman and Hayao Miyazaki, it’s the 100th anniversary of Japanese animation. Hooray! Our featured anime and live-action movie are Mobile Suit Zeta Gundam, The Guyver (a.k.a. Mutronics), and One Piece volume 15. Tune in to The Geek Show
This week we’ve got export restrictions, dragon dentists, same faces, strange mousemats and all sorts of other paraphernalia that make animation such an odd place to visit. Our featured anime are Berserk (1997), and Death Note. Tune in to The Geek Show Podcast Network for
Kochikame is coming to an end after forty years of continuous serialization! Our featured comics and manga are ROM #1 and 2, Berserk, Micronauts #5, and Moon Knight #2 to #5. Tune in to The Geek Show Podcast Network for all the latest news, discussions
On this episode we discuss the new Celebrity Deathmatch series, the third installment of Kung Fu Panda, Epic Games movies, solid gold Kamen Rider statues and more. Our featured anime this week are K (K-Project), and Royal Space Force: The Wings of Honneamise (Ouritsu Uchuugun:
Historically, War in cinema has come in a number of guises and styles – heroism, propaganda, the horror, anti-war and now the post-millennium pragmatism that has followed in the footsteps popularized by Katherine Bigelow’s Hurt Locker and Zero Dark Thirty. In that flood of realistic