If the name “RKSS” sounds familiar to you, it’s likely because they were the French-Canadian trio responsible for 2015’s quirky post-apocalyptic gore-fest Turbo Kid – likely the stand-out title of the kids-on-bikes-sploitation wave that sprung up around the mid-2010s, when the world was caught in the grip of Stranger Things […]
slasher
Nightmares in a Damaged Brain (1981) Formerly Banned Video Nasty launches Severin in the UK (Review)
Slotherhouse (2023) There are no Dumb Ideas, Only Terrible CGI (Review)
Picture the three toed Sloth. A majestic creature, slow yet steady, hanging from tree branches with docile confidence, basking in their South American forest environment, munching on leaves with a strong murderous rage in their heart. Oh yes, according to this movie, Slotherhouse, Sloths are natures number one adaptive predator […]
Peeping Tom (1960) – A rightfully reappraised masterwork (Review)
Following a run of classics that he created with Emeric Pressburger, director Michael Powell made his second solo feature with 1960’s Peeping Tom. Now considered a masterpiece that is an ancestor of the slasher subgenre, however, the feeling was much different upon release as the film was so vilified that […]
S03E06 – Post Scream Slasher Boom (I Know What You Did Last Summer
8 Found Dead (2022) Crime Thriller Playing ‘Guess the Sub-Genre’ (Review)
For all screenwriters moan about how mobile phones and social media have made certain traditional thriller plots obsolete, the internet has also opened up new possibilities for suspense cinema. For example, future books about horror subgenres will have to include a section on “AirBnB horror”, as recent films like Barbarian, […]
Jack Jones in the Comeback – Pop Screen 105
Blood and Black Lace (1964) Style Over Substance in Vignettes of Violence (Review)
Newly restored from its original negative and presented in its original uncut form, Mario Bava’s classic 1964 giallo Blood and Black Lace has recently been released by the good people at Arrow Films. Starring Cameron Mitchell and Eva Bartok, this stylish slasher concerns a series of murders centring around Rome’s […]
Final Summer (2023): A Summer Camp Slasher Without A Deep Cut (Review)
The Black Mass & Black Mold (Frightfest 2023) (Review)
The Black Mass January 14th, 1978. While a mysterious man shaves, a warped voiceover explains how murderers have no identifiable features, which means that anybody in your life could be demonic. That chilling realisation lingers as the unnamed man (Andy Sykes), walks into a store intending to charm people, pick […]