It’s party time for the cultural anarchists as we finally hit 100 episodes! Now that we’re officially fogeys of the podcasting world we cast a weathered gaze over the recent happenings, and offer our usual derisive, sorry, decisive commentary on things like French festival that have been criticised for using […]
Month: March 2019
Ray & Liz (2018) Trading Memories of a Working-Class North (Review)
The Black Country born photographer and artist Richard Billingham first came to fame in the mid to late 1990s, when his award-winning photographic collection of his working-class parents formed part of Charles Saatchi’s YBA exhibition, ‘Sensation’. At the height of what was known as ‘Cool Britannia’, Billingham’s uncompromising look to the […]
Keyframe 139 – Massive Robots Fights Are All You Need
The Hollywood adaptation of Yukito Kishiro’s hit manga Battle Angel Alita (Gunnm), is out in cinemas, and by all reports it’s doing some decent business. Join Tucky and Rob as they discuss the film that James Cameron and Robert Rodriguez have created, the implications of the film’s success, and some […]
4-Panel Vol. 2, Issue 23 – We’ve Got Too Many Comics! February Edition
Possum (2018) a bleakness from beyond the dark place (Review)
Part [The] Babadook and part David Lynch fuelled nightmare, Matthew Holness’s directorial debut, Possum, is as bleak and oppressive as psychological horror gets. Unfortunately, I get the impression that Holness would’ve been better suited turning Possum into a portmanteau film rather than a feature of its own. And that’s fine, […]
Sink the Bismarck! (1960) A British Stiff-Upper Lip Vision of Heroism (Review)
Directed by Lewis Gilbert, the 1960 film Sink the Bismarck! tells the true-life story of the Royal Navy’s mission to track down and destroy the eponymous pride of the German fleet and scourge of Atlantic shipping. Making it’s UK Blu-ray debut on the Eureka Classics label, it’s a distinctive film […]
Cinema Eclectica 194 – Come See The Mastodon Parade!
Keyframe 138 – After School Goth Club
The Boys In The Band (1970) After Stonewall, Before Pride (Review)
He may be associated with the tough, transgressive American cinema of the 1970s, but there’s a part of William Friedkin that would have made a first-rate Old Hollywood journeyman. Peers like Francis Ford Coppola and Paul Schrader have recently been making personal, self-penned projects, but Friedkin’s 21st-century career renaissance came […]