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Friday, Mar 6, 2026
New REVIEWS!
ELSE (2024) A Claustrophobic French Body Horror That Gets Under Your Skin
The Stunt Man (1980) When Making a Movie Becomes a Matter of Life and Death
The Ugly Stepsister (2025) A Beautifully Deranged Fairy Tale
Libido (1965) Argento may be The Artist, but Gastaldi is The Man
Redux Redux (2025) Reclaiming the Multiverse, One Brutal Reality at a Time
Jimmy & Stiggs (2024) The Messy, Mean, DIY Splatterfest Begos Was Born to Make
Charisma (1999) / Cloud (2024): A Showcase for One of the Greatest Living Filmmakers
Illustrious Corpses (1976): The Paranoid Style in Italian Thrillers
Potwash (2026, Short) An Intriguing and Enveloping Tale of Work, Music, and Escapism
Blood of Revenge (1965) A Yakuza Tale Characterised by Beautiful Compositions 
Tim Travers and the Time Travelers Paradox (2024)  The Grandfather Paradox Gets a Splatter-Comedy Makeover
The Strange Dark (2024) A Cosy Thriller Where The Twilight Zone Invades a Hallmark Movie
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1

Crumb (1994) A Meditation on an Important – and Controverisal – American artist (Review)

06/09/2024
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Run Man Run (1968): A Picaresque Shaggy Dog Tale of a Tortilla Western (Review)

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The Mercy (2017) James Marsh delivers arguably his finest fictional narrative cinematic feature yet (Review)

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Zombie Fight Club (2014): high trash, complete trash or somewhere in-between? (Review)

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Project Wolf Hunting (2022) Rivals The Sadness for extreme viscera and gut-punching madness (Review)

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Essential Polish Animations (1957-1987) Testament to art made under difficult regimes

04/08/2025
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Police Story 3: Supercop (1992) It’s the Michelle Yeoh Show (Blu-Ray Review)

29/09/2022
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Aquarius (2016) Sonia Braga towers over this bloated love affair with the home space (Review)

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Invention for Destruction (1958) One of the finest pop-up books in cinema history (Review)

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Malum (2023): A Rather (Un)pleasant Surprise

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Buster Keaton: Complete Short Films – 1917-1923 (Review)

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Her Way (2022) Sentimental and melancholic but truthful (Cinema & VOD Review)

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  • Blake Simons

Blake Simons

Blake Simons is a freelance writer and programmer based in London. They studied Film at King's College London, where they founded Queer Film Nights - a weekly screening and discussion group for LGBTQ+ cinema. Their interests include self-reflexive romantic dramas, contemporary Japanese cinema, adaptation between mediums, and self-serious writer bios.
  • Pop Culture

Other ways of creating: In conversation with María Gisèle Royo and Julia de Castro on ‘On the Go’ (2023)

Blake Simons 27/09/2024
Other ways of creating: In conversation with María Gisèle Royo and Julia de Castro on ‘On the Go’ (2023)

A woman running out of time, a Grindr-using gay man, and a mermaid hit the road in search of an unwitting sperm donor in On the Go, a free-associative avant-garde road movie like little else. Co-directors María Gisèle Royo and Julia de Castro met at an artist’s residency and embarked […]

  • Movies & Documentaries
  • Reviews

Your Lovely Smile (2022) The Artistic Struggle As a Japanese Comedy Drama (Review)

Blake Simons 29/08/2024
Your Lovely Smile (2022) The Artistic Struggle As a Japanese Comedy Drama (Review)

Unless you’ve been to any small-scale Japanese film festivals in recent years (or picked up Third Window Films’ ‘New Directors from Japan’ boxset), you probably haven’t heard of independent film director Hirobumi Watanabe. The inhabitants of Your Lovely Smile by-and-large haven’t heard of him either. Here Watanabe plays himself, in […]

  • Movies & Documentaries
  • Reviews

Kill (2024) In the Action Tradition of The Raid, Only Lesser (Review)

Blake Simons 04/07/2024
Kill (2024) In the Action Tradition of The Raid, Only Lesser (Review)

One dude progressing through an enclosed location killing many other dudes in quick succession has long been one of cinema’s greatest pleasures. It’s a simple premise, a simple action, a base repetition. At its best, this elevator pitch has produced films such as Gareth Evans’ tower block extravaganza The Raid. […]

  • Movies & Documentaries
  • Reviews

Kinds of Kindness (2024) A Sandbox for Dramatic Discovery and Play (Review)

Blake Simons 28/06/2024
Kinds of Kindness (2024) A Sandbox for Dramatic Discovery and Play (Review)

With Kinds of Kindness, mild-mannered Greek enfant terrible Yorgos Lanthimos has finally returned home to his long-time writing partner Efthimis Filippou (Dogtooth, The Lobster, The Killing of a Sacred Deer) after an extended vacation with screenwriter Tony McNamara (The Favourite, Poor Things). Or perhaps this is the vacation. With a […]

  • From the Festivals

I Saw The TV Glow (2024) An urgent personal plea that could change the world (Review)

Blake Simons 17/06/2024
I Saw The TV Glow (2024) An urgent personal plea that could change the world (Review)

I Saw The TV Glow should come with a warning. It’s a film you can’t prepare for, with no easy answers other than the ones you may not want to face, a film you can’t unsee. There are few adjectives more thudding when critiquing a film than ‘important’, but it’s […]

  • Pop Culture
  • Television

The Sympathizer (2024) Drama with a sharp, piercing gaze and political purpose (Preview)

Blake Simons 24/05/2024
The Sympathizer (2024) Drama with a sharp, piercing gaze and political purpose (Preview)

‘Start at the cinema’, commands our protagonist’s interrogator at the open of The Sympathizer, the new HBO miniseries from Park Chan-wook. It’s a statement of intent. When literature is adapted to screen, there’s a tendency for that origin to be overly reflected in the form. For intertitles, verbosity, and establishing […]

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