In 1984 Kevin Eastman and Peter Laird released a little known black and white comic on their very own Mirage label, following the adventures of four teenaged mutant ninja turtles and their surrogate father, a Rat named Splinter, only 3000 copies were produced of that initial run, hoping to cover […]
Ben Jones
City on Fire (1987) How Ringo Lam Defined Hong Kong’s “Heroic Bloodshed” Genre
In the early 80s there was a new breed of action film starting to plant roots. A genre that kept a lot of the righteous chivalry of old but now it was no longer the pursuit of mastery in the martial world, it was the gun that ruled supreme. Stories […]
Furious Swords and Fantastic Warriors (1967-83) The Heroic Cinema of Chang Cheh
Run Run Shaw was an entrepreneur. He didn’t see the artistry in cinema, he wanted to make money and lots of it. After monopolising cinema theatres across most of east Asia, primarily in Singapore and Malaysia (under the name Malay Film Productions in the run up to World War II), Run […]
The Magnificent Trio (1966) & Magnificent Wanderers (1977) Unearthing the Bookends of Chang Cheh’s Wuxia Reign
In the years that followed the move from Shanghai to Hong Kong as the heart of the Chinese film industry, following the “Cultural Revolution” in 1949, Shaw Brothers wanted to modernise their studio by bringing in new and fresh directors and stars, tying them to contracts and giving them regular […]
The Daredevils (1979) & Ode To Gallantry (1982) Venom Mob Mayhem: Late Era Shaw Brothers Action at Its Best
Having made his first feature in 1949, at the slender age of 25, it wasn’t until he was taken in by the production line studio, Shaw Brothers, that Chang Cheh’s star would really begin to shine. Making early movies such as Tiger Boy (1966), Magnificent Trio (1966) and The Trail […]
Shaolin Boxers (1974) A Forgotten Knockout or Just Another Throwaway Brawler?
The influence of 1970’s The Chinese Boxer, a Shaw Brothers movie written, directed by, and starring the one-(armed)-man phenomenon that was Jimmy Wang Yu, can never be understated. It influenced a shift in Chinese/Taiwanese cinema, moving away from long-haired heroes in bad wigs, flowing gowns, and swishy swords to something […]
House Of Ashes (Glasgow Frightfest 2025)
It never ceases to amaze me how genre cinema can adapt itself to anything. From sociopolitical melodrama to generations divided, whether it be Science Fiction or Horror, there are reasons why so many of us are drawn off the beaten path and into the spooky woods of the cinematic landscape. […]
Doctor Vampire (1990) Hong Kong’s Wild, Goofy Take on the Western Bloodsucker
Whilst there is a long list of Chinese and Hong Kong “Vampire” movies, this would usually conjure up images of hopping blood suckers attacking our fighting heroes in an attempt to rid them of their lives, a la Mr Vampire (1985) which sees our Taoist priest Lam Ching Ying and […]
Running on Karma (2003) Fate, Forgiveness, and a Musclebound Andy Lau in a Thong
The Hong Kong film industry of the late 90s and early Noughties was a shadow of the business that had become the definition of “Action Cinema” for the global market. From Jackie Chan to Bruce Lee, it had become synonymous with some of the wildest and most daring movies the […]
Horrible History: Four Films by Chang Cheh (1972-76)
It’s impossible to talk about Hong Kong cinema without mentioning Chang Cheh. From his prolific output to his genre-defining works, Chang’s films may have lacked the nuance of some of his peers—but when those peers are the legendary King Hu and the artistically refined Lau Kar Leung, it’s little wonder. […]
