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Wednesday, Apr 22, 2026
New REVIEWS!
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable
Dead Lover (2026): An Unhinged and Colourful Take on Frankenstein

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Ben Jones

Horror, Cult, Grindhouse & Psychotronic B-Movies. Celebrating the Trashy side of Cinema. Crowned “Trash King” by podhard & Official NWPPVIP of The New World Pod
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  • Reviews

The Street Fighter Trilogy (1974) Kicks, Quips and Boatload of Cool (Review)

Ben Jones 18/04/2023
The Street Fighter Trilogy (1974) Kicks, Quips and Boatload of Cool (Review)

On July 20th 1973 the world lost one of the most iconic action stars to have ever been. A star that shone so bright that it was bound to burn out rather than fade away. He would be the standard by which the action genre would be judged and would […]

  • Pop Culture
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  • Television

Slasher: Ripper (Episode 1 & 2: Season 5)(Review)

Ben Jones 06/04/2023
Slasher: Ripper (Episode 1 & 2: Season 5)(Review)

Episode 1 – The Slaughterhouse & Episode 2 – The Painful Truth Comparisons to Fox’s American Horror Story are inevitable for Shudder/AMC’s Horror seasonal anthology series, Slasher. Each season presenting a new story and setting, and just like it’s contemporary, it brings with it a multitude of returning actors in different […]

  • Movies & Documentaries
  • Reviews

Punk Samurai (2018) Samurai Comedy Anarchy that we’ve never seen the likes of before (Review)

Ben Jones 15/03/2023
Punk Samurai (2018) Samurai Comedy Anarchy that we’ve never seen the likes of before (Review)

Punk Samurai, also known as Punk Samurai Slash Down (a title still retained on the main menu screen of this Blu-Ray release), is a title that evokes mental images of Jidaigeki or Chanbara epics, but with a modern twist, and in many ways that is exactly what it is… and […]

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  • Reviews

Electric Dragon 80000v (2001) A ‘Saturday Morning Avant-garde, Punk Rock Fever Dream’ Cartoon (Review)

Ben Jones 06/03/2023
Electric Dragon 80000v (2001) A ‘Saturday Morning Avant-garde, Punk Rock Fever Dream’ Cartoon (Review)

There was a moment in the early 2000s when, here in the West, Tadanobu Asano was the new Japanese king of cool. From his portrayal of the crazed Ichi in Takashi Miike’s Ichi The Killer, or the prime antagonist Hattori Genosuke in Takeshi Kitano’s reimagining of the classic tale of […]

  • Movies & Documentaries
  • Reviews

Violent Streets (1974) Channels the Spirit of John Cassavetes and Kinji Fukusaku (Review)

Ben Jones 21/02/2023
Violent Streets (1974) Channels the Spirit of John Cassavetes and Kinji Fukusaku (Review)

Far more synonymous with the Chanbara genre, Hideo Gosha brings his taste for the anarchic to the early 70s explosion in Yakuza movies. Cheap and popular, they became a dime a dozen in the late 60s, a taste which Japanese audiences would carry over into the new decade. Gone was […]

  • Movies & Documentaries
  • Reviews

The Executioner Collection (1974) Sonny Chiba’s Lucky Stars (Review)

Ben Jones 09/01/2023
The Executioner Collection (1974) Sonny Chiba’s Lucky Stars (Review)

Japanese cinema carries with it a certain gravitas in the minds of many. It evokes images of great chivalry (Seven Samurai), dreams and heartbreak (Ikiru), honour and justice (Hara-Kiri) and the importance of family (Tokyo Story). Names such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu loom large over its […]

  • Movies & Documentaries
  • Reviews

Big Time Gambling Boss (1968) An Essential for anyone with a penchant for Yakuza Cinema (Review)

Ben Jones 02/01/2023
Big Time Gambling Boss (1968) An Essential for anyone with a penchant for Yakuza Cinema (Review)

Big Time Gambling Boss is the fourth entry in the Bakuchi-uchi series (a series that ran for ten films in total between 1967 to 1972 and was released by Toei studios). Starring Koji Tsurata (Sympathy for the Underdog) as a suave and chivalrous gambling Yakuza general, he has everything we’ve […]

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  • Movies & Documentaries

The Witch Part 2: The Other One (2022) Korean Superpowered Franchise, reheated (VOD review)

Ben Jones 28/11/2022
The Witch Part 2: The Other One (2022) Korean Superpowered Franchise, reheated (VOD review)

In July 2006 the South Korean government, in a trade agreement with the United States of America, halved the number of days dedicated to South Korean films being shown in their own domestic market. This went from 146 days to just 73. This had a significant impact on the types […]

  • Movies & Documentaries
  • Reviews

The Spine of Night (2021) A shining example of what can be done with a singular vision (Blu-Ray Review)

Ben Jones 25/10/2022
The Spine of Night (2021) A shining example of what can be done with a singular vision (Blu-Ray Review)

“Power tends to corrupt, and absolute power corrupts absolutely. Great men are almost always bad men, even when they exercise influence and not authority. There is no worse heresy than that the office sanctifies the holder of it”. John Dalberg-Acton Never has this quote been more applicable than to The […]

  • Movies & Documentaries
  • Reviews

Angela Mao: Hapkido and Lady Whirlwind (1972) – a must for any connoisseur of the Kung Fu genre (Blu-Ray Review)

Ben Jones 03/10/2022
Angela Mao: Hapkido and Lady Whirlwind (1972) – a must for any connoisseur of the Kung Fu genre (Blu-Ray Review)

There is a long tradition of on-screen female action stars in Chinese cinema history. Sometimes referred to as 打女/Du Na (see THIS excellent video by Accented Cinema for a deeper dive into this tradition) and starting back when Shanghai was the centre of the Chinese film-making world in the 1930s […]

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