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Sunday, Jun 8, 2025
New REVIEWS!
Falling Into Place (2023) From Meet-Cute to Ugly Realities
Dangerous Animals (2025) The Must-See Bloody Horror Film of the Summer
Darling (1965) The New Morality of the 1960s
Ishanou (1990) Indian regional cinema probes the mystery of faith
The Umbrellas of Cherbourg (1964): Colourful But Lifeless Musical Drama
Andor Season 2 (2025) Round-up: Star Wars’ hard-to-swallow epic is just what fans needed
The Railroad Man (1956) A Year in the Life of a Working Class Family
Themroc (1973) The Urban Caveman and the Red Triangle
Strange New Worlds: Science Fiction at DEFA (1960 to 1976) Socialism Among the Stars
Sinners (2025) A Must See Theatre Experience
Oil Lamps (1971) Juraj Herz’s dazzling and decadent psycho-sexual period piece
Doctor Who (2025) Lucky Day: An Average Start That Reveals A Sublime and Timely Message (SPOILERS)
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Hiroshima Mon Amour (1959) Rarely been bettered in the 57 years since (Review)

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Journey to the Beginning of Time: an astonishing arsenal of animator’s tricks (Review)

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A Forgotten Man (2022) The Seperation of Established History from Story (Review)

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Graham Williamson

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Film Noir Collection Vol. 3: Calcutta, Ride the Pink Horse, Outside the Law, The Female Animal (1946-1958) (Blu-Ray Review)

Graham Williamson 07/08/2023
Film Noir Collection Vol. 3: Calcutta, Ride the Pink Horse, Outside the Law, The Female Animal (1946-1958) (Blu-Ray Review)

Arrow’s first film noir box set, released in 2020, included bona fide cult classics like The Big Combo and Force of Evil, as well as deeper cuts from master directors like Fritz Lang. The third volume collects four titles which will be unknown to all but the most forensic of […]

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Skinamarink (II) (2022): TikTok’s favourite liminal horror takes its Blu-Ray bow (review)

Graham Williamson 03/07/2023
Skinamarink (II) (2022): TikTok’s favourite liminal horror takes its Blu-Ray bow (review)

At a time when major streaming services are casually erasing whole shows from existence, we should be grateful to Acorn Media for their continuing run of Blu-Ray releases of Shudder exclusives. It also opens up one of those questions of format that a certain kind of Bazin-besotted film theorist loves […]

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Le Mépris (1963): the odd couple Godard and Bardot make a classic (Review)

Graham Williamson 29/06/2023
Le Mépris (1963): the odd couple Godard and Bardot make a classic (Review)

Brigitte Anne-Marie Bardot started acting in 1952, at the age of 17. By the end of that decade she was the most famous woman in France, for her films, her music and the gleefully-reported-on turmoil of her private life. Among actresses of this era, only Marilyn Monroe was more famous. […]

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Smooth Talk (1985): should now be considered an American classic (Review)

Graham Williamson 28/06/2023
Smooth Talk (1985): should now be considered an American classic (Review)

For a reissue of a quiet, low-key movie that isn’t all that well-known, Criterion’s new Blu-Ray of Joyce Chopra’s feature debut Smooth Talk has to do a lot. First off, it has to contribute to correcting the gender imbalance in Criterion’s library, although it isn’t shouldering that burden alone. Over […]

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Red Sun (1970): Between the Commune and the comic-book (Blu-Ray Review)

Graham Williamson 22/06/2023
Red Sun (1970): Between the Commune and the comic-book (Blu-Ray Review)

There are many things you need to check before making a movie; cast availability, contracts, and filming permits. “The consent of a Leftist commune” is not usually one of them, but then there aren’t many filming environments quite like post-war Germany. Rudolf Thome’s Red Sun, newly released on Blu-Ray by […]

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The Hot Spot (1990): more fun than eating cotton candy barefoot (Blu-Ray Review)

Graham Williamson 21/06/2023
The Hot Spot (1990): more fun than eating cotton candy barefoot (Blu-Ray Review)
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Twilight (1990): an irresistible challenge that upends the detective genre (Review)

Graham Williamson 12/06/2023
Twilight (1990): an irresistible challenge that upends the detective genre (Review)

There are many mysteries to unpick in the new Second Run release, but the one that had me the most perplexed is this: what were people watching before this restoration? Because, as Stanley Schtinter’s booklet and several of the interviews on this disc attest, György Fehér’s debut theatrical release was […]

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The Lighthouse (2019): a 4K illumination for a modern cult classic (Review)

Graham Williamson 08/06/2023
The Lighthouse (2019): a 4K illumination for a modern cult classic (Review)

Aptly for a director so invested in orally told tales – superstitions, fisherman’s stories, Icelandic sagas – Robert Eggers’s The Lighthouse is already accruing its own legend. It’s one of the few modern films to have a legendarily tough shoot, all of which is unpacked in the three-part making-of documentary […]

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Hopping Mad: The Mr Vampire Sequels (1986-1989) (Blu-Ray review)

Graham Williamson 22/05/2023
Hopping Mad: The Mr Vampire Sequels (1986-1989) (Blu-Ray review)

Anyone with eyes to see, ears to hear or fangs to bite knows that Ricky Lau’s 1985 film Mr. Vampire is one of the most joyous comedies in cinema history, a perfect mix of spooky hijinks, balletic martial arts action and broad, goofy slapstick. It was inevitable that sequels would […]

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Naked Lunch (1991): a special edition big enough to feed anyone’s addiction (Review)

Graham Williamson 17/04/2023
Naked Lunch (1991): a special edition big enough to feed anyone’s addiction (Review)

One of the great things about Arrow Video’s Blu-Ray special edition of David Cronenberg’s Naked Lunch is that the package does the same thing as the film: it uses cutting-edge technology to immerse you in the stranger corners of a now-lost era. In Cronenberg’s case, that meant using Chris Walas’s […]

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