You wait ages for a two-part independent film about making art, and then – aptly enough – two come at once. Following on from Joanna Hogg’s The Souvenir Parts I and II, Bulldog distribution are releasing Patrick Wang’s A Bread Factory Parts One and Two. These films were originally released […]
Graham Williamson
Seance (2021): standard slasher with one killer extra (Review)
It won’t be my favourite film of the year, but Acorn media’s Blu-Ray release of Simon Barrett’s directorial debut Seance contains an early contender for extra of the year. Barrett begins the director’s commentary with disarming enthusiasm, saying he’s always loved director’s commentaries and is excited to be providing his […]
Jakob’s Wife (2021) Eternally left-turning Modern Vampire Movie (Review)
Acorn Media’s new Blu-Ray of Jakob’s Wife is their latest physical media release of a title that premiered on the streaming service Shudder, a platform which is probably too new to generalise about but I’m a critic and I’m at a loose end, so here we go. One way of […]
In the Realm of the Senses (1976): legendary arthouse shocker returns, its power undimmed (Review)
2022’s home releases get off to a dynamite start with Criterion UK’s Blu-Ray of this legendary arthouse shocker by Nagisa Oshima, alternatively known as Ai no Corrida but not – despite the persistent mistake – known as In the Realm of the Senses. (The misunderstanding stems from the opening credits, […]
2021 Blow Out: Giants & Toys, Running Against the Wind, Menace II Society, The Millionaires’ Express (REVIEW)
Here at Geek Show Towers we don’t always get the time to cover everything we’re sent. In the interests of greeting the new year with a clear desk, here’s a round-up of some of the most noteworthy discs we didn’t get round to. Each of them is from a different […]
Original Cast Album: Company (1970) have I got a film for you! (Review)
Before the end of the year, we at The Geek Show plan to take a little look back through some of the home releases we missed when they were released. All of them have their merits, but none have gained retrospective interest like Criterion UK’s release of D.A. Pennebaker’s 1970 […]
Current (1964): a calm surface with a darker undertow (Review)
The new Hungarian Masters set is the second time Second Run have released a box set themed around Hungary’s cinema. The previous one was released in 2010 and showcased the work of Miklós Janscó, Károly Makk and Márta Mészáros, three of the most prominent Hungarian directors of the 1950s-1970s era. […]
Free Hand for a Tough Cop (1976): an outrageous buddy-cop film from a Video Nasties legend (Review)
Umberto Lenzi is one of those directors whose reputation in the UK has been bent out of shape by the video nasties scandal. Since the Director of Public Prosecutions’ list of potentially obscene films has spent decades doubling as a watchlist for horror fans, Lenzi is best-known in this country […]
Two New Criterions: Devi (1960) and The Thin Red Line (1998)(Review)
After early November’s Blu-Ray of Wes Anderson’s Fantastic Mr Fox, Criterion UK release a pair of movies unconnected save for their very different approaches to making a film about faith. And that’s “a film about faith” rather than a “faith-based film”. The latter is generally used as a synonym for […]
Dementia 13 (1962): the B-Horror that gave us The Godfather (Review)
Roger Corman is generally remembered as a net positive for movie history. As the legend goes, his American International Pictures gave an early break to a generation of actors, writers and directors who went on to reshape American cinema in the 1970s. The actual films, though, are often overlooked in […]