Karel Kachyňa can be a hard director to pin down, which is probably for the best considering that, for a lot of his career, Czechoslovakia’s intelligence agencies were trying to do just that. Like a surprising amount of the country’s best directors, he did not flee after the Soviet invasion […]
Graham Williamson
Senior Contributor
Cutter’s Way (1981): Passer, paranoia and the *other* great Vietnam-vet vigilante movie
Asked about the ambiguous plot of his 1976 neo-noir Night Moves, Arthur Penn shrugged “We’re part of a generation that knows there are no solutions”. He didn’t reveal what was on his mind, but it’s pretty easy to guess. The generation who grew up in the 1960s and 70s were […]
Silence of the Sea (Japan Foundation Touring Film Programme 2026)
It’s crime, but is it art? Art forgers are a strange breed of criminals, in that the criticism they inspire is closer to the criticism I’m writing here than the moral denunciation given out to other outlaws. Most people aren’t ethically offended by someone turning out counterfeit Roman sculptures or […]
Experimental Shorts (Slamdance 2026)
An annual series of notes from underground, the Slamdance Film Festival’s experimental shorts strand is a reliably good weathervane of where the cutting edge of cinema is. Perhaps none of the directors assembled here will be the future of cinema in the sense of winning Oscars, being hired by Disney, […]
BRB (Slamdance 2026)
Nostalgia ain’t what it used to be. When Bob Clark made A Christmas Story, he could afford to hinge whole subplots on the Little Orphan Annie radio show or leg-shaped novelty table lamps, safe in the knowledge that these items of retro kitsch had no further market value. Nobody was […]
Outside the Blue Box: Doran’s Box (Play for Today, 1976)
When Channel 5 brought back the legendary anthology drama strand Play for Today in 2025, the anticipation was tempered by a fear that it couldn’t live up to the original run’s standards. “Standards”, though, meant different things for different people. Some were concerned a modern Play for Today couldn’t match […]
Tony Odyssey (Slamdance 2026) World Premiere (REVIEW)
Brazilian cinema is having one of its occasional moments on the world stage, thanks to films like The Secret Agent and I’m Still Here breaking the usual containment unit of Best International Feature and being nominated in major categories at American awards shows. Even a synopsis of those films will […]
Doctor Who A-Z #108: The Horns of Nimon (1979-80)
I’ve seen good Doctor Who during this project, and I’ve seen bad Doctor Who too. But so-bad-it’s-good Doctor Who is trickier to pin down. It’s not just that the likes of The Dominators and The Space Museum are so-bad-they-annoyed-me, it’s more to do with an essential incompatibility between so-bad-it’s-good appreciation […]
Doctor Who A-Z #107: Nightmare of Eden (1979)
By 1979, Doctor Who had gone about as far into outer space as it ever would. Season Seventeen, which this is a part of, has only one story set on Earth; the season before it has half as much as that. In its opening scenes, Nightmare of Eden seems to […]
Doctor Who A-Z #106: The Creature from the Pit (1979)
The Creature from the Pit is the kind of story title that points so clearly towards a particular tone, a series as iconoclastic as Doctor Who is duty-bound to undermine it. Much as the revival series’ Mummy on the Orient Express turned out rather more grave than its tongue-in-cheek moniker, […]