You might have missed it, but A Rainy Day in New York briefly became the first Woody Allen film to hit number one at the global box office. This is, admittedly, because it was May 2020 and nothing else was out – a strong showing in South Korea was enough […]
Graham Williamson
Senior Contributor
Liberté (2019) If you go down to the woods today… (Review)
There’s an image late on in Albert Serra’s Liberté which seems to contain something of the film in its entirety. A woman is walking through the woods, the scene of an orgy held by decadent aristocrats exiled from the court of France’s last king Louis XVI. She is in period […]
2020 Films You Might Have Missed…
The New World (three cuts, 2005-8): choose your own adventure (Review)
Terrence Malick is often caricatured as the Fotherington-Tomas of cinema, whose tendency to wander around saying hullo birds hullo trees hullo skies can appear ridiculous in modern-day films like Lawless [5]. If you want to see Malick’s style and thematic concerns in a world where they make absolute, perfect sense, […]
Symbiopsychotaxiplasm: Two Takes by William Greaves (1968/2005) red-hot takes (Review)
Symbiopsychotaxiplasm: Two Takes by William Greaves is the new Blu-Ray release from Criterion UK. It contains genuine footage of the Roswell incident, cast-iron evidence of voter fraud, and natural health secrets that THEY don’t want you to know. None of the preceding sentence is true, but if I hadn’t come […]
Mouchette (1967) The kind of serious art cinema that just isn’t made anymore (Review)
It can be daunting watching a film with a Mouchette-sized reputation. Robert Bresson’s second adaptation of a novel by Georges Bernanos (after 1951’s Diary of a Country Priest) is one of the most acclaimed works from one of France’s most heavyweight directors; it’s been cited as a favourite by everyone […]
How You Live Your Story: Selected Works by Kevin Jerome Everson (2005-2020)(Review)
If I had to choose one film from Second Run’s new double-disc Blu-Ray of Kevin Jerome Everson’s work to sum up his appeal to the uninitiated, it would probably be the 2015 short Grand Finale. That’s not to say it’s the best thing on offer, merely that it offers the […]
Sweet Charity (1969): a musical for its time and ours (Review)
Put yourself in the mind of a moviegoer in 1969. At the time, it seemed like Hollywood was dying, struggling to compete with new, disruptive home-entertainment innovations. Even if they didn’t exist, though, the industry would be in trouble. Studios were ruinously focused on spectacle-driven tentpole films that were often […]
Eraserhead (1976) A Treasure Trove Release for Fans of David Lynch (Review)
“It’s like a guy with a hunchback growth, and you meet a pretty good surgeon who takes it off, cleans it up, hardly any scars, and you go away. And you’re very thankful that that’s gone.“ That’s David Lynch – what am I talking about, of course, it’s David Lynch […]
Real (2019): breezy but uneven cycle through working-class romance (Review)
There’s something about bicycles in film, isn’t there? Ever since Vittoria de Sica’s Bicycle Thieves, the two-wheeled transport has been used to denote a kind of child’s-eye realism by Ridley Scott (Boy and Bicycle), the Dardenne brothers (The Kid With a Bike) and Haifaa al-Mansour (Wadjda). Even in the more […]