The 2003 Martin Scorsese-produced HBO anthology series The Blues featured a lot of big-name directors offering their take on America’s centrally important musical genre. Yet most critics agreed that the best episode wasn’t directed by Clint Eastwood, Wim Wenders or Scorsese himself. It was the episode Warming by the Devil’s […]
Graham Williamson
Senior Contributor
Kolobos (1999) soft satire, but hard gore (Review)
Let’s spin back to summer, 1999; Big Brother launches in the Netherlands, the public is slowly becoming acclimatised to words like “webcam” and “JPEG”, and the two big horror talking points – Ringu and The Blair Witch Project – take the genre’s regular voyeuristic concerns into an age where VHS […]
The Boys In The Band (1970) After Stonewall, Before Pride (Review)
He may be associated with the tough, transgressive American cinema of the 1970s, but there’s a part of William Friedkin that would have made a first-rate Old Hollywood journeyman. Peers like Francis Ford Coppola and Paul Schrader have recently been making personal, self-penned projects, but Friedkin’s 21st-century career renaissance came […]
Shoah The Four Sisters (2018) Chamber Pieces From A Historical Nightmare (Review)
Even before his death in July 2018, Claude Lanzmann was always easier to imagine in retrospect. He remained a public figure into his nineties, and a valuable one at that: thoughtful, eloquent, combative when necessary. His work, though, was dominated by two time periods. The first was the period from […]
Opera (1987) Argento Is No Ordinary Horror Director And [This] No Ordinary Horror Film (Review)
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Cult Films have quickly made a name for themselves in the home release market as Italian cinema specialists – but very much at the Fellini/De Sica end of that country’s output, which on the surface makes them a strange choice to reissue Dario Argento’s brutal horror Opera on Blu-Ray. Those […]
Josie (2018): … To Be Bad You Have To Recognise That You’re Bad (Review)
As my colleague Rob Simpson keeps having to point out, a film doesn’t need likeable characters to be good. It doesn’t even need smart characters. There’s a whole subgenre of noir fiction from Jim Thompson through to the Coen brothers which takes knuckle-dragging characters doing repellent things and alchemises them into […]
Texas Adios (1966) A glimpse of the Spaghetti Westerns yet to come (Review)
Say one thing for Texas Adios, the 1966 spaghetti Western reissued on Blu-Ray by Arrow Video; it doesn’t hang around. A friend of mine likes to needle me by describing Westerns as a genre where you spend eighty minutes waiting for one action scene, but Texas Adios’s first action scene […]
The Early Films of Olivier Assayas (1986 & 1989)(Review)
In 2007 Ingmar Bergman and Michelangelo Antonioni died on the same day, prompting a lot of critics to wonder who would take their place in culture. For a while I wondered this as well; who would make work like Persona or The Passenger for our era, creating new stories and […]
The Tree of Life (2011) A film we’ll never stop talking about (Review)
In scale alone it’s the extra of the year: Criterion UK’s new release of Terrence Malick’s 2011 Palme d’Or winner The Tree of Life comes with a bonus disc featuring a completely new cut of the film. From start to finish, Malick was the driving force behind the re-edit – […]
Project A (1983) & Project A II (1987) Jackie Chan, the Cinephile (Review)
One of the pleasures of watching Eureka’s ongoing series of Jackie Chan Blu-Rays is the case history they offer in the construction of a superstar persona. Early on in his career Jackie Chan was billed as the heir apparent to Bruce Lee, and inasmuch as he completed the process Lee […]