One of the many rare and cherishable things about Jordan Peele’s Get Out was that it was a horror movie with an African-American lead that nevertheless wasn’t pitched or marketed as the black version of any pre-existing horror film. After Night of the Living Dead, which should have been the […]
Graham Williamson
Senior Contributor
The Gorgon (1964) Hammer’s Terence Fisher tackles Greek Mythology (Review)
The most famous monsters in Hammer Studios’ repertoire were essentially the same ones Universal had hit paydirt with in the 1930s: Dracula, Frankenstein’s Monster, the mummy. But Hammer had plenty of other things to shock and disturb audiences with – zombies, Satanists, aliens, man-lizards and, at the end of the studio’s […]
The Haunting (1963) the impenetrable monochrome terror of black and white horror (Review)
The transformation of the haunted-house subgenre began in Edgar Allen Poe’s The Fall of the House of Usher, where the house, rather than just the ghosts within it, demonstrated paranormal abilities. In his essay ‘Supernatural Horror’ H.P. Lovecraft argued that the point of Poe’s story was to show that the house […]
There’s Always Vanilla (1971) George Romero’s Lo-Fi & Savage Anti-Advertising Satire (Review)
To mangle Shakespeare, there are two types of horror directors: those who are born horror directors, and those who have it thrust upon them. Arrow Films’ Between Night and Dawn box set reveals George A Romero to be the latter. Consisting of the three films Romero made in between his […]
The Vikings (1958) The closest the Viking genre has to a John Ford movie (Review)
It’s strange, on the face of it, that there aren’t more movies about Vikings. Television has exploited this gap in the market with shows like – well, like Vikings, obviously – but there’s still a puzzling absence of Norsemen on the big screen. Puzzling because this should be obviously cinematic […]
Vampir Cuadecuc (1971) A Surprisingly Sensual and Beautiful avant-garde Vampire Movie (Review)
Sometime in the early 2000s, a Peruvian government spokesman was forced to testily deny online rumours that some of the country’s cabinet were vampires. “A government cannot go around sucking the blood of its people”, the spokesman claimed, inviting the obvious rejoinder; which government has ever refrained from this? The […]
Certain Women (2016) a grown-up, unironic, realist film about ordinary people going through ordinary challenges (Review)
It’s always an interesting statement of values when a prestige home video label decides to release a recent film. Everyone agrees on Kurosawa, Lang and Welles, but which modern director would you put in their company? In America, the Criterion Collection has got behind Wes Anderson so consistently that it’s […]
Song to Song
Released on DVD and download by StudioCanal, the history of Terrence Malick’s Song to Song goes back to the summer of 2011, when attendees at Austin, Texas’s famous South by Southwest music festival saw the director filming Ryan Gosling and Rooney Mara in the crowds. Malick had just won the […]
Every Picture Tells a Story: The Art Films of James Scott (1967-84) (Review)
For all that James Scott’s name is on the cover, the main selling point of the BFI’s new archive collection Every Picture Tells a Story is the remarkable range of artists he filmed. There’s David Hockney, arguably the only living British painter whose name means something to the general public. […]
Lord of the Flies (1963) Literature Classic lives and dies on the shoulder of its child actors (Review)
Among those of us who value books as discrete physical objects – which is slightly more of us than is comfortable for Amazon’s share price – film tie-in editions are a wearying necessity, a crude imposition of a completely different style of art for crass commercial reasons. There are some […]