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Wednesday, Apr 29, 2026
New REVIEWS!
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable

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Graham Williamson

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The Mystery of Picasso (1956) A meeting of Auteurs, Picasso & Clouzot (Review)

Graham Williamson 29/01/2018
The Mystery of Picasso (1956) A meeting of Auteurs, Picasso & Clouzot (Review)

There isn’t one set-in-stone way to make an art documentary, because there isn’t one set-in-stone way to appreciate art. Those who believe art should stand on its own, or trigger some kind of personal reading, may feel that the work is diminished by too much context and explanation. That seems […]

  • Movies & Documentaries
  • Reviews

Blue Collar (1978) the bleakest picture of the working week in American cinema (Review)

Graham Williamson 25/01/2018
Blue Collar (1978) the bleakest picture of the working week in American cinema (Review)

Not all of Paul Schrader’s movies are pitiless examinations of masculinity in crisis, but when one of them kicks off with Bo Diddley singing ‘I’m A Man’, you’d better believe that’s a statement. Now reissued on Powerhouse, Blue Collar is the tale of three car factory workers who hatch a […]

  • Pop Culture
  • Twin Peaks

Twin Peaks the Return Episode 4 (The Rewatch)

Graham Williamson 24/01/2018
Twin Peaks the Return Episode 4 (The Rewatch)

Twin Peaks the Return Episode 4 MAY CONTAIN SPOILERS BRINGS BACK SOME MEMORIES We live, regrettably, in a nostalgic age. The standard life cycle of a new geek-targeted film or TV series is this: it is announced something from the past is being brought back. Everyone gets very excited. Then the […]

  • Pop Culture
  • Twin Peaks

Twin Peaks the Return Episode 3 (The Rewatch)

Graham Williamson 22/01/2018
Twin Peaks the Return Episode 3 (The Rewatch)

Twin Peaks the Return Episode 3 MAY CONTAIN SPOILERS CALL FOR HELP The FBI are back! What are they investigating, according to Miguel Ferrer’s still-peerlessly grouchy Albert Rosenfeld? “The absurd mystery of the strange forces of existence.” Oh. I see. Sounds more like an NSA job to me, but if you’re […]

  • Movies & Documentaries
  • Reviews

Charley Varrick (1973) The casual appeal of Walter Matthau (Review)

Graham Williamson 22/01/2018
Charley Varrick (1973) The casual appeal of Walter Matthau (Review)

Powerhouse’s new Blu-Ray of Don Siegel’s 1973 thriller Charley Varrick comes with the impressive set of extras this label has set as a standard for their reissues of cult films. Sometimes, though, the information you get from those extras doesn’t quite tally up. The feature-length making-of documentary Last of the […]

  • Pop Culture
  • Television
  • Twin Peaks

Twin Peaks the Return Episode 2 (The Rewatch)

Graham Williamson 19/01/2018
Twin Peaks the Return Episode 2 (The Rewatch)

Twin Peaks the Return Episode 2 MAY CONTAIN SPOILERS THE STARS TURN AND A TIME PRESENTS ITSELF The first two episodes of Twin Peaks were broadcast back-to-back, with the option to watch three and four online.  As a result, episode 2 hasn’t had the chance to be considered as its own […]

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  • Television
  • Twin Peaks

Twin Peaks the Return Episode 1 (The Rewatch)

Graham Williamson 17/01/2018
Twin Peaks the Return Episode 1 (The Rewatch)

Twin Peaks the Return Episode 1 MAY CONTAIN SPOILERS MY LOG HAS A MESSAGE FOR YOU Why talk about Twin Peaks: The Return now?  Well, for one thing, it’s one of the few modern American prestige dramas whose reputation hasn’t settled now it’s off the air.  After Breaking Bad’s last episode […]

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  • Reviews

Blood from the Mummy’s Tomb (1971) a deliciously stylish melodramatic Occult Hammer Horror (Review)

Graham Williamson 06/12/2017
Blood from the Mummy’s Tomb (1971) a deliciously stylish melodramatic Occult Hammer Horror (Review)

It’s nearly Christmas, so let us think of those less fortunate than us: specifically, the Mummy.  Even before this summer’s Tom Cruise-led flop, ol’ bandage face had a chequered screen history.  The 1932 Universal feature had Boris Karloff in front of the camera, Karl Freund behind and a certain topicality […]

  • Movies & Documentaries
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The Witch Who Came from the Sea (1976) The arty yet exploitative end of the video nasties list (Review)

Graham Williamson 04/12/2017
The Witch Who Came from the Sea (1976) The arty yet exploitative end of the video nasties list (Review)

Newly released as a stand-alone Blu-Ray by Arrow, The Witch Who Came From the Sea was previously part of Arrow’s American Horror Project Vol. 1 along with Malatesta’s Carnival of Blood and The Premonition.  It’s a much less comfortable fit within the horror genre than those two films, displaying a mix […]

  • Movies & Documentaries
  • Reviews

Sherlock Jr (1924) A silent comedy far ahead of its time (Review)

Graham Williamson 20/11/2017
Sherlock Jr (1924) A silent comedy far ahead of its time (Review)

The shortest of Buster Keaton’s features, the 45-minute Sherlock Jr. is only five minutes longer than the Oscars’ stated limit for short films (not that they existed back then). It had been conceived and shot as a six-reel feature, but Keaton deleted two of those when the film tested poorly. […]

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