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Thursday, Sep 10, 2026
New REVIEWS!
World Noir Vol. 5 – Post War Italy in Crisis (1946, 1950 & 1951)
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date

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Graham Williamson

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Mishima: A Life in Four Chapters (1985) The Antidote to Biopic Fatigue (Review)

Graham Williamson 11/06/2018
Mishima: A Life in Four Chapters (1985) The Antidote to Biopic Fatigue (Review)

An extraordinary film even by the standards of Criterion’s UK catalogue, Paul Schrader’s Mishima: A Life in Four Chapters is your go-to film to counter accusations that biopics are inherently stuffy, stylistically conservative Oscar-bait. And it’s all thanks to Hank Williams. After surviving the excesses of the ’70s New Hollywood, […]

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Allure (2017) A modern equivalent to ’90s psychological thrillers like Single White Female (Review)

Graham Williamson 17/05/2018
Allure (2017) A modern equivalent to ’90s psychological thrillers like Single White Female (Review)

It’s way, way down the list of the important consequences of #MeToo, but the fact that so many actresses are now also prominent activists is having a subtle effect on the way we interpret film authorship. In the traditional auteurist sense, Allure is un film de Carlos and Jason Sanchez, […]

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Metropolitan (1990) Whit Stillman’s Comedy of High Society Manners (Review)

Graham Williamson 10/05/2018
Metropolitan (1990) Whit Stillman’s Comedy of High Society Manners (Review)

It’s always a risk for a film to give you too many pointers about how to read it; most people like to work that out for themselves. But I was very charmed by a moment about halfway into Whit Stillman’s 1990 debut Metropolitan – reissued on Region 2 Blu-Ray by […]

  • Movies & Documentaries

Early Hou Hsiao-hsien: Three Films 1980-1983 (Review)

Graham Williamson 27/04/2018
Early Hou Hsiao-hsien: Three Films 1980-1983 (Review)

“Success is elusive. Something lost is difficult to find. Progress takes time.” That quote comes from the last film on Eureka Masters of Cinema’s new Blu-Ray collection of early Hou Hsaio-Hsien films, 1983’s The Boys From Fengkuei. After watching all three films in the set, it’s hard not to interpret […]

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La Chinoise (1967) More fun than the dry, doctrinaire Godard it is accused of being (Review)

Graham Williamson 23/04/2018
La Chinoise (1967) More fun than the dry, doctrinaire Godard it is accused of being (Review)

There’s no greater feeling of kinship than learning someone shares your hot take, so let’s start this review of Arrow Academy’s Blu-Ray of La Chinoise by praising one of the extras – a great, informative, witty discussion of the film by Denitza Bantcheva. Listening to Bantcheva, I finally felt like […]

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Twin Peaks The Return Episode 18 (The Rewatch)

Graham Williamson 16/04/2018
Twin Peaks The Return Episode 18 (The Rewatch)

Twin Peaks the Return Episode 18 MAY CONTAIN SPOILERS WHAT IS YOUR NAME? LA-based viewers of the Twin Peaks finale felt unsettled when Dale Cooper drove up to Eat At Judy’s. This isn’t an unusual feeling when watching Twin Peaks: rewatching this episode, I felt deeply uncomfortable waiting for the […]

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Twin Peaks The Return Episode 17 (The Rewatch)

Graham Williamson 13/04/2018
Twin Peaks The Return Episode 17 (The Rewatch)

Twin Peaks the Return Episode 17 MAY CONTAIN SPOILERS THE PAST DICTATES THE FUTURE David Lynch once admitted to being “fascinated” by the spread of grey hair on his head.  As responses to the ageing process go, it’s not one that’s widely shared.  Yet you can see its benefits all over […]

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Sleeping Dogs (1977) a dystopia so stark it makes Mad Max look like Mad Max: Fury Road (Review)

Graham Williamson 13/04/2018
Sleeping Dogs (1977) a dystopia so stark it makes Mad Max look like Mad Max: Fury Road (Review)

The first time my uncle heard of a club putting on a 1970s nostalgia night, he was stunned. He’d lived through the decade and had no plans to revisit it. If they want a true taste of Britain in the ’70s, he said, someone should go and cut the power […]

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Twin Peaks The Return Episode 16 (The Rewatch)

Graham Williamson 12/04/2018
Twin Peaks The Return Episode 16 (The Rewatch)

Twin Peaks the Return Episode 16 MAY CONTAIN SPOILERS NO KNOCK, NO DOORBELL The answer was always there, at the start of every episode. All that time we spent wondering if Cooper would ever fully return, if we’d ever seen Audrey come back again, if whatever evil had infected the world […]

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Shirley: Visions of Reality (2013) A Beautiful, Off-Kilter recreation of Edward Hopper’s Painting (Review)

Graham Williamson 21/03/2018
Shirley: Visions of Reality (2013) A Beautiful, Off-Kilter recreation of Edward Hopper’s Painting (Review)

In his book Which Lie Did I Tell?, William Goldman offered a typically pugnacious definition of the difference between a director and a cinematographer: “You say to your cinematographer, ‘I want this to look like a Hopper painting’, and you pray he can do it.” The choice of Edward Hopper […]

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