[WARNING: this article contains spoilers for Guardians of the Galaxy: Vol. 2, Captain America: The Winter Soldier, all three Iron Man films, most of the Christopher Nolan Batman films, and, y’know, everything else.] Sitting down to watch Park Chan-Wook’s The Handmaiden recently, I experienced a pleasure I’d almost forgotten about; […]
Graham Williamson
Senior Contributor
The Informer (1929) 90-year-old silent political thriller feels timeless (Review)
There are features on the disc and in the booklet accompanying the BFI’s new dual-format release of Arthur Robison’s 1929 thriller The Informer describing how long and careful the restoration process was. Just as well; anyone under the delusion that a silent film could be restored in a couple of weeks […]
The Lady from Shanghai (1947) Orson Welles Infamously cut-to-pieces Noir Returns (Review)
Orson Welles once claimed he only saw thrillers as a means to an end, that if it wasn’t for the unfortunate necessity of getting films funded he wouldn’t have made any. As if to demonstrate this, he would often tell a story about the genesis of his famous noir, The […]
My 20th Century (1989) a full-on thermonuclear blast of intellectual, comic and sensory pleasure (Review)
“We live in the flicker”, Joseph Conrad famously wrote, referring to the breathless speed of technological advancement in the crossover from the nineteenth to the twentieth century. In addressing the same historical period, Ildikó Enyedi’s debut film My 20th Century – released on DVD and Blu-Ray by Second Run – […]
Story of Sin (1975) the standard by which all other Blu-Ray and DVD releases should now be judged (Review)
Story of Sin begins with a quintessentially Walerian Borowczyk image; the doors of a church confessional booth being opened. Already, we can see so many things that fascinate this director, from what’s on-screen (the frame-within-a-frame, the old-fashioned handmade props and sets) to the implicit (the unlocking of secrets, the critical attitude towards […]
Alice (1990) Woody Allen, stepping out of the shadow of his comedy (Review)
In his book Crackpot, John Waters devotes a chapter to his guilty pleasure movies – the joke being that the trash cinema most people would describe as a guilty pleasure is exactly what you’d expect Waters to unashamedly love. Instead, the chapter is devoted to achingly sincere, existential art films which Waters […]
Crimes and Misdemeanors (1989) Woody Allen’s narrative pleasures are worth the wait (Review)
No matter how many times actors, writers and directors repeat that old saw about dying being easier than comedy, critics are still more likely to go into raptures about hard-hitting Oscar-season dramas than summer comedies. One rare exception, enshrined as a great living American director despite an almost entirely comic […]
The Glass Shield (1994) underneath the popcorn-movie surface is a nuanced, astute neo-noir (Review)
African-American cinema’s relationship to the American mainstream is kind of like Halley’s comet; it’s always there, it’s just not always visible. Charles Burnett’s career has lasted long enough to intersect with two major movements in black cinema; he may yet connect with the ongoing one. After all, a lot of the […]
The Cabinet of Dr Caligari (1920) the first horror film ever that truly chills (Review)
The film with the wonky sets? Yes, the film with the wonky sets – but Robert Wiene’s silent horror landmark has so much more to offer, and that’s never been as apparent as it will be when you watch Eureka Masters of Cinema’s new loaded-up Blu-Ray. As well as a […]
The Emigrants (1971) / The New Land (1972) (Review)
In its native America, the Criterion Collection earned its reputation for desirable, extras-packed editions of arthouse classics over whole decades, disc by disc. When it expanded to Region 2 in April this year, it wasn’t an unknown quantity – cinephiles with region-free players had been spreading the word for years. […]