As the sappy Everly Brothers classic that scores this film’s opening goes, love hurts, and right off the bat it should be prefaced that Strange Darling is a film you should go into completely blind. It’s the sort of energetic, attention-dominating indie thriller that boasts a major twist every other […]
Jake Kazanis
Dead Mail (Frightfest 2024)(Review)
From American writer-director duo Kyle McConaghy and Joe DeBoer comes this strange, 1980s-set low budget indie film that manages to defy easy categorisation, standing alone as a revival of dirty ’70s exploitation dramas (think John Flynn or Sam Peckinpah), and ’80s analogue nostalgia. Dead Mail jumps right into the action, […]
What Remains (2022) A Bummer Scandi-noir from the Skarsgårds (Review)
At the height of a glorious summer I’m sure many people are thinking “You know what? I’m really in the mood to see a brooding, muted, Scandinavian true crime drama about a serial child-killer that’s set in the dead of winter”, and would you believe it? Icon Films have us […]
The Exorcism (2024) Russell Crowe Goes Method in Meta-horror Mix-up (Review)
Let’s get the obvious out the way first; no, The Exorcism has no connection to The Pope’s Exorcist, the uniformly-titled occult horror released only last year where Russell Crowe played an exorcist and also shares a near identical poster. In fact, this uncanny case of cinematic deja-vu is one of […]
The Moor (2024) – Thick in atmosphere, thin on character (Review)
The Moor is the debut feature-film from Chris Cronin, and it stays true to the UK’s rich history of regional folk horror while making damn sure to get the most out of the locality it’s named after – specifically Yorkshire. Horror has a long history rooted in the area, from […]
Winnie the Pooh: Blood and Honey II (2024) Superior Splatterfest Still Misses the Punchline (Review)
Have you heard that joke levelled at films that take a funny, novel premise and stretch it out far beyond the life cycle of the gag that goes ‘This is why SNL sketches are five minutes long’? Few films have ever earned that jab more than Winnie the Pooh: Blood […]