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Tuesday, May 27, 2025
New REVIEWS!
Andor Season 2 (2025) Round-up: Star Wars’ hard-to-swallow epic is just what fans needed
The Railroad Man (1956) A Year in the Life of a Working Class Family
Themroc (1973) The Urban Caveman and the Red Triangle
Strange New Worlds: Science Fiction at DEFA (1960 to 1976) Socialism Among the Stars
Sinners (2025) A Must See Theatre Experience
Oil Lamps (1971) Juraj Herz’s dazzling and decadent psycho-sexual period piece
Doctor Who (2025) Lucky Day: An Average Start That Reveals A Sublime and Timely Message (SPOILERS)
Night Moves (1975) Gene Hackman’s Memorable 70’s Thriller Comes to 4K
Tokyo Pop (1988) The Lost Gen-X Cult Classic Gets Its Moment
Freaky Tales (2024): High on Style, Inconsistent on Substance
The Magnificent Trio (1966) & Magnificent Wanderers (1977) Unearthing the Bookends of Chang Cheh’s Wuxia Reign
A Woman of Paris (1923) Chaplin’s First Drama Film Falls Short 
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Misunderstood (1966) Beautiful and genuine Italian Melodrama (Review)

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The Fate of Lee Khan (1973) When a Kung-Fu Movie isn’t a “Kung Fu Movie”

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The Friends of Eddie Coyle (1973) One of the Ultimate Anti-Gangster Movies (Review)

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The Boys In The Band (1970) After Stonewall, Before Pride (Review)

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Paris Memories (2022) Poignant Drama Undercut By Cluttered Screenplay (Review)

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All That Money Can Buy (aka The Devil and Daniel Webster)(1941) Reclaiming of a Lost Expressionist Classic (Review)

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Jimmy Dean

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Bandits of Orgosolo + The Lost World (1961) Radiance’s Best Release Yet (Review)

Jimmy Dean 24/06/2024
Bandits of Orgosolo + The Lost World (1961) Radiance’s Best Release Yet (Review)

I reliably watch around 300 films every year. I am set to fall a long way short of that in 2024. Over the last two months, I’ve found it hard to concentrate as I focused my energy on preparing to move out of my damp flat while chronically ill, opting […]

  • Movies & Documentaries
  • Reviews

Misunderstood (1966) Beautiful and genuine Italian Melodrama (Review)

Jimmy Dean 26/04/2024
Misunderstood (1966) Beautiful and genuine Italian Melodrama (Review)

I love the rich history of classic Italian Cinema. I’ve marvelled over the films of Rossellini, De Sica, Antonioni, Pasolini, Visconti and Fellini. Since their inception Radiance Films have been unearthing hidden gems from Italy and shining a light on some of the country’s best under-watched directors, one of which […]

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The Foul King (2000) Rediscovering a Song Kang-ho Wrestling Romp (Review)

Jimmy Dean 09/04/2024
The Foul King (2000) Rediscovering a Song Kang-ho Wrestling Romp (Review)

There was a time in my life when wrestling was more important to me than film or football. Before my discovery of Mike Leigh, or the emergence of Gareth Bale, there was Rob Van Dam. Before The Apartment moved me to tears, or Lucas Moura set me into delirium, there […]

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Green Room (2015) N*zi Punks F*ck Off in 4K (Review)

Jimmy Dean 19/03/2024
Green Room (2015) N*zi Punks F*ck Off in 4K (Review)

One of the reasons I enjoy writing is because I want to share my love of films with other people. I’ve always taken pride in introducing friends, family, and now strangers, to movies that have changed my life. The reverse is also incredibly special, when someone shares one of their […]

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The Roaring Twenties (1939) How Systemic Failure Created a Gangster (Review)

Jimmy Dean 14/03/2024 1
The Roaring Twenties (1939) How Systemic Failure Created a Gangster (Review)

Criterion’s stunning UHD Blu-Ray release of The Roaring Twenties allows audiences to rediscover a film that marked the end of the golden age of gangster films. Made in 1939, long after the success of Little Caesar (1931), Public Enemy (1931), and Scarface (1932), Raoul Walsh’s film is a fascinating, nostalgic […]

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By A Man’s Face You Shall Know Him (1966) Harmony, Yakuza and the Rediscovery of Tai Kato (Review)

Jimmy Dean 28/02/2024
By A Man’s Face You Shall Know Him (1966) Harmony, Yakuza and the Rediscovery of Tai Kato (Review)

I’ve previously written at length about the joy of discovering new films and filmmakers through Radiance Films — one of which was I, The Executioner (1968), a brutal neo noir which introduced me to Akira Kurasawa’s former apprentice Tai Kato. Radiance are clearly passionate about restoring and celebrating his work, […]

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Paths of Glory (1957) Kubrick’s Antiwar Masterpiece in 4K (Review)

Jimmy Dean 26/02/2024
Paths of Glory (1957) Kubrick’s Antiwar Masterpiece in 4K (Review)

Eureka’s Masters of Cinema series was formative in developing my knowledge and love of cinema. I glance over at my collection and think of how Eureka introduced me to F.W Murnau’s Tabu, Douglas Sirk’s The Tarnished Angels and a host of lesser seen Billy Wilder films. I associate that Masters […]

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The Sting of Death (1990) Scenes From a Marriage (Review)

Jimmy Dean 02/02/2024
The Sting of Death (1990) Scenes From a Marriage (Review)

Over the last six weeks I’ve been lucky enough to discover three new Japanese films that have been restored and released by Radiance Films that were not previously on my radar. Having spent years constantly agonising over what film to watch next, there’s something refreshing about trusting a company like […]

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I The Executioner (1968) A Brutal Neo Noir Directed by Akira Kurosawa’s Former Apprentice (Review)

Jimmy Dean 26/01/2024
I The Executioner (1968) A Brutal Neo Noir Directed by Akira Kurosawa’s Former Apprentice (Review)

Happy New Year and Happy New Radiance Films Release Day to all those who celebrate. After falling head over heels for Elegant Beast (1962), I was delighted to be jumping back into 60’s Japan for Radiance’s latest release I, The Executioner (1968), a neo-noir directed by former Akira Kurosawa protégée […]

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Black God, White Devil (1964) – An Unforgettable Brazilian Classic (Review)

Jimmy Dean 19/12/2023 1
Black God, White Devil (1964) – An Unforgettable Brazilian Classic (Review)

When Sight and Sound’s Greatest Films of All Time poll crowned Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles No.1 last year there was a great deal of predictably boring discourse online. The most striking thing I saw in the fallout had nothing to do with Chantel Akerman’s masterpiece, but […]

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