Released to Blu-ray on Studio Canal’s Cult Classics label comes a rip-roaring Spaghetti Western from 1968, Enzo G. Castellari’s wonderfully titled Kill Them All and Come Back Alone starring Chuck Connors, the rangy former basketball and baseball player and star of popular Western TV serials The Rifleman and Branded and […]
Mark Cunliffe
Senior Contributor Mark's first cinematic experience was watching the Cannon and Ball vehicle, The Boys in Blue. He hasn't looked back since. Hailing from St Helens, he is an occasional contributor to Arrow DVD, writing booklet inlay essays on a variety of titles, including Children of Men and The Great Escape. He is a reviewer with IndieMDB and has also written a chapter for Ste Brotherstone and Dave Lawrence's book, Scarred For Life Vol II. Other sites he has written for include We Are Cult, Horrified, and America's left-leaning news outlet ZNetwork. Publications he has written articles for include Stat Magazine and the fanzine Undefined Boundary: The Journal of Psychick Albion. He is also a regular contributor to the Geek Show's podcasts, including Pop Screen and the Uncut series, and he can be found on Letterboxd.
Wild Things (1998) 90s Hollywood or Hollyoaks Later? (Review)
It’s really strange coming to a piece of pop culture from your youth for the first time almost twenty-five years after its moment in the spotlight, but that’s exactly what I have done with Wild Things, released to Blu-ray by Arrow this week. I’m not entirely sure why this torrid, […]
Nobody Loves You and You Don’t Deserve to Exist (2022) A Pilgrim’s Progress from Thatcher to Covid (Review)
Adding to the mounting list of films reflecting our collective experience of coronavirus in the last two years comes the bluntly titled Nobody Loves You and You Don’t Deserve to Exist. Obviously, the thought of a film centred around COVID-19 is bound to turn off some audiences, so let me […]
Revolver (1973) Hard-edged, Pessimistic, Buddy Cop Crime Thriller (Review)
Current wisdom in the literary world of the thriller genre is that you must immediately hook your reader in with some violence right from the first page. After that, you can focus on character, setting etc, but the bloody stuff has to be placed right up front. Released to Blu-ray […]
Coach to Vienna (1966) Defying the Perceived Wisdoms of WWII (Review)
Another day, another release from Second Run of a Czech film that fell foul of the authorities as the optimism of the Prague Spring gave way to the reassertion of Soviet control and the period of normalisation that took a hold of the country until the eventual collapse of the […]
A Time for Dying (1969) Audie Murphy’s Last Stand (Review)
Here’s a curio released by Indicator Powerhouse this week, the final film of both director Bud Boetticher and star Audie Murphy, A Time for Dying was made in 1969 but didn’t actually receive a cinema release until 1982, having been tied up with litigation in the intervening thirteen years. This […]
The Devil’s Trap (1962) Avante Garde sounds and visions in this slyly clever satire (Review)
Another Czech film from the 1960s gets dusted down and given the usual exemplary treatment from the Second Run label this week and anyone in the know or familiar with some of my previous reviews will expect the usual discussion about how the film has a subversive message regarding the […]
Crazy Thunder Road (1980) Japan’s Mad Max or Generational Clash? (Review)
Released to Blu-ray this week by the Third Window Films label, Crazy Thunder Road is the breakthrough movie of Gakuryu, the artist formerly known as Sogo Ishii. A high-octane and proudly (cyber)punk movie, Crazy Thunder Road was actually the filmmaker’s graduation project. So impressive was it deemed for a student […]
An Unsuitable Job for a Woman (1982) An Obscure Take on the Traditional British Murder Mystery Novel (Review)
The British film industry of the late twentieth century is one that I am deeply fascinated by. From the early 1970s onwards, it was an industry cash-strapped by Hollywood’s decision to return home after rinsing the profitable new wave/kitchen sink/swinging London milieus of the previous decade. Compelled to either emulate […]
The Party and the Guests (1966): So Good They Banned It Twice (Review)
Released on Blu-ray this week by the exemplary Second Run label, The Party and the Guests is a 1966 Czechoslovakian film from Jan Němec that holds the distinction of being one of a handful of films to be ‘banned forever’ in its native land by communist authorities who, in the […]