I guess there’s something symbiotic in the fact that, in the month in which Donald Trump’s presidency ends in acrimony, scandalous insurrection and a historic second impeachment, the two reviews I have been asked to write here at The Geek Show have been The Don is Dead and The Tin […]
Mark Cunliffe
Senior Contributor Mark's first cinematic experience was watching the Cannon and Ball vehicle, The Boys in Blue. He hasn't looked back since. Hailing from St Helens, he is an occasional contributor to Arrow DVD, writing booklet inlay essays on a variety of titles, including Children of Men and The Great Escape. He is a reviewer with IndieMDB and has also written a chapter for Ste Brotherstone and Dave Lawrence's book, Scarred For Life Vol II. Other sites he has written for include We Are Cult, Horrified, and America's left-leaning news outlet ZNetwork. Publications he has written articles for include Stat Magazine and the fanzine Undefined Boundary: The Journal of Psychick Albion. He is also a regular contributor to the Geek Show's podcasts, including Pop Screen and the Uncut series, and he can be found on Letterboxd.
The Don is Dead (1973) Donsploitation! (Review)
TV. It’s all the same isn’t it? Switch on the gogglebox at any point and you’re basically confronted with the same show in various guises. Singing contests, dancing contests, afternoon quizzes. They’re all the same. It’s like there’s only three original shows out there and everything else that fills up […]
Waxworks (1924): An Iconic Display of German Expressionism (Review)
Released to Blu-ray by the Eureka Masters of Cinema label last month, Waxworks aka Das Wachsfigurenkabinett was the final film that director Paul Leni made in his native Germany, before forging an illustrious career in Hollywood with films such as The Cat and the Canary, The Man Who Laughs and […]
The Times of Harvey Milk (1984): You Can Kill the Man, But You Cannot Kill the Spirit (Review)
Released on Criterion Blu-ray this week is the Oscar-winning The Times of Harvey Milk, filmmaker Roger Epstein’s 1984 documentary about a true, political trailblazer, Harvey Milk. For many people, and certainly those of us on this side of the pond, Harvey Milk only really came to our attention thanks to […]
Eva (1962): All About Eva (Review)
In 1945, the proclaimed king of thriller writers in Europe, James Hadley Chase penned his novel, Eve. Set in the seamy side of the Hollywood film industry, this psychological thriller told the story of Clive Thurston, a shipping clerk who stumbles upon a talented but TB-stricken writer who subsequently dies […]
Eternal Beauty (2020) Dramady That Gets Mental Health Right (Review)
Craig Roberts, the pinched face and seemingly eternally adolescent Welsh actor best known for his starring role in Richard Ayoade’s Submarine, follows up his directorial debut Just Jim with Eternal Beauty, an offbeat comedy-drama that approaches the tricky subject of mental illness and is hitting cinemas from Friday October 2nd. […]
Five Graves to Cairo (1943) Influential in Many Surprising Ways (Review)
One of the most curious Allied operations to occur during World War Two was arguably Operation Copperhead, masterminded by one Brigadier Dudley Clarke. A small military deception, Copperhead saw the Allies dupe the German high command whose intelligence expected General Bernard Montgomery to play a significant role in the 1944 […]
The Painted Bird (2019): Arthouse or Endurance Test? (Review)
Václav Marhoul’s WWII Eastern European-set film opens with a boy’s pet ferret being set alight and burned alive by a group of bullies. The sight of the ferret, disorientated, panicked and squealing in agony as it attempts the impossible and outrun the flames that so quickly engulf its body, ought […]
Walkabout (1971): The Loss of Innocence and the Birth of Aussie New Wave (Review)
Coming to limited edition Blu-ray this week via the Second Sight label is Nicolas Roeg’s atmospheric, 1971 masterpiece Walkabout; a coming-of-age drama like no other, one which effectively heralded in the Australian New Wave movement. Starring Jenny Agutter, the director’s son Luc Roeg and indigenous Australian actor David Gulpilil, the […]
Tenderness: The Past is a Foreign Country in Martin Šulík’s (1991) Debut (Review)
Released in 1991, Tenderness (or Neha as it is known in its native Slovak) is director Martin Šulík’s debut full-length feature, one which proved to be a groundbreaking production for post-Communist Slovakia. The film tells the story of Simon, a solitary young student played by Géza Benkõ, and commences with […]