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Sunday, Jun 14, 2026
New REVIEWS!
Affection (2026): A Familiar but Disturbing Twist on Memory-loss Thriller
Hi Mom! (1970) De Palma’s Wildest Early Provocation
Slither (2006) – Silly Schlocky Blast of Smalltown Sci-Fi Fun
Hacked: A Double Entendre of Rage-Fueled Karma (2025) A chaotic act of cinematic payback
The Criminal Life of Archibaldo de la Cruz (1955): audacious thought crimes in Buñuel’s serial killer satire
Diabolic (2026) Conventionally plotted Religious Horror that drips with Dread and Atmosphere
The Professional (1981) Belmondo Goes Rogue for Revenge
Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)

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Savage Justice (2022) Justice has been served, I guess? (Review)

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Gang War in Milan (1973): Violence, Misogyny and Political Commentary (Review)

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The Human Condition (1959) a must-see for any fan of world cinema (Review)

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A Man Called Tiger (1973) A Vanity Project that lives up to the Hype? (Review)

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Messiah of Evil (1973) “They say that nightmares are dreams perverted” (Review)

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Edvard Munch (1974) Peter Watkins fight to be free of genres, formats and cliches (Review)

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Redux Redux (2025) Reclaiming the Multiverse, One Brutal Reality at a Time

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Georgy Girl (1966) the good, bad and ugly of Swinging 60’s London (Review)

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The Emigrants (1971) / The New Land (1972) (Review)

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The Lair (2022)(II) Very Far Removed from Marshall’s Glory Days (Review)

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The Cat (1988) An Impressive Heist Thriller From 80s Germany (Review)

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Mark Cunliffe

Senior Contributor Mark's first cinematic experience was watching the Cannon and Ball vehicle, The Boys in Blue. He hasn't looked back since. Hailing from St Helens, he is an occasional contributor to Arrow DVD, writing booklet inlay essays on a variety of titles, including Children of Men and The Great Escape. He is a reviewer with IndieMDB and has also written a chapter for Ste Brotherstone and Dave Lawrence's book, Scarred For Life Vol II. Other sites he has written for include We Are Cult, Horrified, and America's left-leaning news outlet ZNetwork. Publications he has written articles for include Stat Magazine and the fanzine Undefined Boundary: The Journal of Psychick Albion. He is also a regular contributor to the Geek Show's podcasts, including Pop Screen and the Uncut series, and he can be found on Letterboxd.
  • Movies & Documentaries
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Cold Pursuit: A film that’s hard to warm to (Review)

Mark Cunliffe 21/06/2019
Cold Pursuit: A film that’s hard to warm to (Review)

When Cold Pursuit was released earlier this year you could hear the critics snickering up their sleeves (well, you could if you drowned out the furore that surrounded certain comments made by its leading man, Liam Neeson, during an interview promoting the film) at what they perceived to be the […]

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Under Fire (1983) the exception to the white saviour row? (Review)

Mark Cunliffe 17/06/2019
Under Fire (1983) the exception to the white saviour row? (Review)

It’s perhaps interesting to watch Under Fire in the week that British charity Comic Relief has announced its plan to cut back on celebrity appeals in the wake of what has become known as the ‘white saviour’ row, promising (rightfully in my view) to “give voices to people” who actually […]

  • Movies & Documentaries
  • Reviews

Shakespeare Wallah: Merchant Ivory Opulence missing a certain something (Review)

Mark Cunliffe 30/04/2019
Shakespeare Wallah: Merchant Ivory Opulence missing a certain something (Review)

Made in 1965, Shakespeare Wallah was the second collaboration from Merchant Ivory and the first to really garner some international attention. Written by regular Merchant Ivory scribe Ruth Prawer Jhabvala, the film was one of the earliest English-language speaking roles for acclaimed Bollywood actor Shashi Kapoor and marked the screen […]

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Heat and Dust: A dual narrative of sexual and imperial politics (Review)

Mark Cunliffe 22/04/2019
Heat and Dust: A dual narrative of sexual and imperial politics (Review)

There’s an anecdote about Heat and Dust from producer Ismail Merchant in Robert Emmet Long’s 1993 book The Films of Merchant Ivory that I’ve always liked because I think it says a lot about not only the cultural differences between the British film industry and Hollywood but also the different […]

  • Movies & Documentaries
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Stanley, a Man of Variety (2016): Timothy Spall’s surreal comic trip, for better and worse (Review)

Mark Cunliffe 25/03/2019
Stanley, a Man of Variety (2016): Timothy Spall’s surreal comic trip, for better and worse (Review)

It has long been said that comedy and tragedy are two sides of the same coin, and this has never been more true than in the common link of great personal tragedy that can be found in many a quintessentially British comedian from yesteryear. Think about them; Tony Hancock, an […]

  • Movies & Documentaries
  • Reviews

Widows (2018): A tense & intelligent repacking of a 1980s TV classic (Review)

Mark Cunliffe 18/03/2019
Widows (2018): A tense & intelligent repacking of a 1980s TV classic (Review)

Growing up as I did in the 1980s, I well remember the original Widows –  Lynda La Plante’s 1983 miniseries about four women who have no option but to follow in the footsteps of their late husbands and partners and into a life of crime. It starred Ann Mitchell (now […]

  • Movies & Documentaries
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Ray & Liz (2018) Trading Memories of a Working-Class North (Review)

Mark Cunliffe 11/03/2019
Ray & Liz (2018) Trading Memories of a Working-Class North (Review)

The Black Country born photographer and artist Richard Billingham first came to fame in the mid to late 1990s, when his award-winning photographic collection of his working-class parents formed part of Charles Saatchi’s YBA exhibition, ‘Sensation’. At the height of what was known as ‘Cool Britannia’, Billingham’s uncompromising look to the […]

  • Movies & Documentaries
  • Reviews

Sink the Bismarck! (1960) A British Stiff-Upper Lip Vision of Heroism (Review)

Mark Cunliffe 05/03/2019
Sink the Bismarck! (1960) A British Stiff-Upper Lip Vision of Heroism (Review)

Directed by Lewis Gilbert, the 1960 film Sink the Bismarck! tells the true-life story of the Royal Navy’s mission to track down and destroy the eponymous pride of the German fleet and scourge of Atlantic shipping. Making it’s UK Blu-ray debut on the Eureka Classics label, it’s a distinctive film […]

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  • Reviews

Georgy Girl (1966) the good, bad and ugly of Swinging 60’s London (Review)

Mark Cunliffe 25/11/2018
Georgy Girl (1966) the good, bad and ugly of Swinging 60’s London (Review)

‘Georgy Girl Is Big!’ so screamed the tagline on the posters of Silvio Narizzano’s 1966 swinging London set film. It had two meanings of course and the first was to imply the nature of its central character Georgy; an ungainly selfless young woman, big of frame and of heart, played […]

  • Movies & Documentaries
  • Reviews

The Blood Of Hussain (1980) a mesmerising piece of cinema (Review)

Mark Cunliffe 19/11/2018
The Blood Of Hussain (1980) a mesmerising piece of cinema (Review)

Jamil Dehlavi’s The Blood of Hussain is an allegorical tale of revolt against tyranny and oppression in 1970s Pakistan.  It takes place during the annual mourning procession for Hussain, grandson of the prophet Muhammad,  who was slain for his refusal to recognise Yazid ibn Muawiya, the Umayyad Caliph, as his leader […]

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