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Wednesday, Oct 28, 2026
New REVIEWS!
Manhunt (1976) A Sprawling, Uneven, and Utterly Charming 70s Crime Epic
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)

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Mark Cunliffe

Senior Contributor Mark's first cinematic experience was watching the Cannon and Ball vehicle, The Boys in Blue. He hasn't looked back since. Hailing from St Helens, he is an occasional contributor to Arrow DVD, writing booklet inlay essays on a variety of titles, including Children of Men and The Great Escape. He is a reviewer with IndieMDB and has also written a chapter for Ste Brotherstone and Dave Lawrence's book, Scarred For Life Vol II. Other sites he has written for include We Are Cult, Horrified, and America's left-leaning news outlet ZNetwork. Publications he has written articles for include Stat Magazine and the fanzine Undefined Boundary: The Journal of Psychick Albion. He is also a regular contributor to the Geek Show's podcasts, including Pop Screen and the Uncut series, and he can be found on Letterboxd.
  • Movies & Documentaries
  • Reviews

Being There: A Film of Endings (Review)

Mark Cunliffe 07/01/2020
Being There: A Film of Endings (Review)

Let’s talk about endings. Being There is the kind of film that conjures up a lot of thought about endings, of one kind or another. For a start (can we really have a start when talking of endings? Oh well) it’s a popular misconception that Being There was the final […]

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A Fistful of Dynamite: You Say You Want a Revolution? (Review)

Mark Cunliffe 03/12/2019
A Fistful of Dynamite: You Say You Want a Revolution? (Review)

Once upon a time in Paris (on March 22nd, 1968 to be exact) a number of far-left groups comprising of students and artists gathered together to occupy the administration building of Paris Nanterre University to protest against class discrimination and political bureaucracy. The police were subsequently called and the protesters […]

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A Good Woman is Hard to Find (2019): But Well Worth Seeking Out (Review)

Mark Cunliffe 25/10/2019
A Good Woman is Hard to Find (2019): But Well Worth Seeking Out (Review)

In a supermarket on a sink estate in Belfast, a young single mother named Sarah is performing the weekly shop with her two small children. In her hand is a shopping list with all the necessities required for the family. However, when they reach the tills, Sarah is mortified to […]

  • Movies & Documentaries
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Angel Heart: Dark Intrigue and Sinister Seduction (Review)

Mark Cunliffe 14/10/2019
Angel Heart: Dark Intrigue and Sinister Seduction (Review)

It’s a lonely place for someone like me over on Letterboxd just now. Whilst the bulk of the community celebrate the Halloween season with the Hooptober Horror Film Challenge I, never much of a joiner-inner, continue to watch whatever takes my fancy. It’s not that I don’t appreciate a good […]

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High Noon: A Story That Still Happens Everywhere, Every Day (Review)

Mark Cunliffe 16/09/2019
High Noon: A Story That Still Happens Everywhere, Every Day (Review)

Released for the first time on Blu-ray in the UK this week via the Eureka label, 1952’s High Noon is, as the tagline has it, ‘The story of a man who was too proud to run’. That man is Will Kane, the marshal of Hadleyville, a small town in New […]

  • Reviews

The Chant of Jimmie Blacksmith: “A Fugitive from Justice…Or from Injustice”?

Mark Cunliffe 16/08/2019

Often cited as one of the most important Australian films ever made and a key text in the Aussie New Wave movement of the 1970s, Fred Schepisi’s The Chant of Jimmie Blacksmith is a beautifully shot yet heart wrenching and savage account of institutionalised racism in colonial Australia at the turn […]

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The Legacy: A Dated Horror Heirloom for the Late ’70s (Review)

Mark Cunliffe 29/07/2019
The Legacy: A Dated Horror Heirloom for the Late ’70s (Review)

Released to Blu-ray by the excellent Indicator label this week, The Legacy is a 1978 British-American horror mystery starring real-life couple Katherine Ross, Sam Elliott and The Who’s frontman Roger Daltrey. Ross and Elliott star as Maggie Walsh and Pete Danner, lured from their home in California to England on […]

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  • Movies & Documentaries

Coming Home: New Hollywood’s Other Vietnam War Movie (Review)

Mark Cunliffe 12/07/2019
Coming Home: New Hollywood’s Other Vietnam War Movie (Review)

Hal Ashby’s 1978 movie Coming Home is one of the most compelling to explore the aftermath of the Vietnam war for its veterans and their loved ones. It stars Jane Fonda as Sally Hyde, a military wife who decides to volunteer at a local military hospital when her Marine husband […]

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The Lonely Passion of Judith Hearne: Rediscovering a Hidden Handmade Gem (Review)

Mark Cunliffe 25/06/2019 1
The Lonely Passion of Judith Hearne: Rediscovering a Hidden Handmade Gem (Review)

Belfast-born Brian Moore’s novel The Lonely Passion of Judith Hearne was published in 1955 after his relocation to Canada. The sympathetic, yet deeply unflinching study of a lonely middle-aged spinster succumbing to alcoholism, a loss of faith and a mental breakdown was not an easy sell; it was rejected by […]

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Cold Pursuit: A film that’s hard to warm to (Review)

Mark Cunliffe 21/06/2019
Cold Pursuit: A film that’s hard to warm to (Review)

When Cold Pursuit was released earlier this year you could hear the critics snickering up their sleeves (well, you could if you drowned out the furore that surrounded certain comments made by its leading man, Liam Neeson, during an interview promoting the film) at what they perceived to be the […]

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