When we think of Woodfall films we invariably think of the drama genre, unique to the British film industry, known as ‘kitchen sink’. After all, it was a genre they had certainly made their name off the back of, with an impressive track record straight from the traps; Look Back […]
Mark Cunliffe
Look Back in Anger (1959) the film that helped establish British kitchen-sink realism (Review)
When I was a kid, the Liverpudlian comedian Mick Miller used to tell a joke I still regard fondly to this day. He’d stand on stage before the microphone and say “And now, name that film”. He’d then turn his back to the audience and, looking over his shoulder at […]
The Mercy (2017) James Marsh delivers arguably his finest fictional narrative cinematic feature yet (Review)
This year marks the 50th anniversary of the Sunday Times Golden Globe Race; the first single-handed, round the world (with no stops) yacht race. The race remains deeply controversial as only one yachtsman managed to finish and another, the failing businessman and amateur sailor Donald Crowhurst, encountered so many difficulties […]
Breakheart Pass (1975) The Bronson Western that ran alongside New Hollywood (Review)
A train is bound for Fort Humboldt, a snowcapped US Army frontier outpost where an outbreak of fatal diphtheria has decimated the regiment leaving the fort vulnerable and open to attack. Onboard the train is a detachment of soldiers set to relieve the sick and deceased, a doctor, a preacher, […]
The Old Dark House (1932) proof that James Whale was a master of intelligent, witty thrills and chills (Review)
During a particularly treacherous thunderstorm in rural Wales, a series of travellers are forced to seek refuge in an eerie and isolated house. Their hosts are an elderly eccentric pair of siblings and their mute brute of a butler. As the night unfolds, the stranded party realise that the house […]
Brakes (2016) An interesting debut with an interesting spin on the Rom-Com (Review)
London based actress Mercedes Grower makes her screenwriting and directorial debut with Brakes, a film that couldn’t be any more lo-fi if it tried. Episodic and improvisational in feel, Brakes is a multi-stranded ensemble piece that explores what it is to fall in and out of love in contemporary London. […]
Bad Day For The Cut (2017) Coen-like thriller tropes, sturdy social realism, and unique Irish flavour (Review)
When the mother he both lived with and doted on is violently bludgeoned to death in an apparent home invasion, middle-aged and seemingly mild-mannered farmer Donal (Nigel O’Neill) takes his shotgun and newly restored campervan and sets out from their remote farmstead looking for answers and revenge. What he comes […]
Pulp (1972) The Michael Caine Noir that counts Jarvis Cocker and JG Ballard among its fans (Review)
It is a film about the abuse of a young girl by people in positions of power and the cover-up this corruptible high society instigate to ensure they are never held to account for the crime they have committed. It is a film that concludes with the answers being found […]
A Clockwork Orange (1971) One of the 1970s most controversial masterpieces (Review)
I guess A Clockwork Orange is something akin to a movie buff’s ‘Where were you when Kennedy was shot?’ moment. Every self-respecting film devotee from the UK is likely to recall the first time they watched Stanley Kubrick’s controversial masterpiece and, if you’re of a certain age, chances are you […]
The Wall (2017) a War movie with an element of Carpenteresque B movie about it (Review)
Thankfully not a film about Trump’s intentions regarding the US/Mexico border, The Wall is, in fact, a tense, psychological war movie from director Doug Liman. The Wall is essentially a three-hander (though in truth the vast chunk of its running time sees it operate more or less as a two-hander) […]