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Friday, Sep 11, 2026
New REVIEWS!
World Noir Vol. 5 – Post War Italy in Crisis (1946, 1950 & 1951)
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date

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Mark Cunliffe

Senior Contributor Mark's first cinematic experience was watching the Cannon and Ball vehicle, The Boys in Blue. He hasn't looked back since. Hailing from St Helens, he is an occasional contributor to Arrow DVD, writing booklet inlay essays on a variety of titles, including Children of Men and The Great Escape. He is a reviewer with IndieMDB and has also written a chapter for Ste Brotherstone and Dave Lawrence's book, Scarred For Life Vol II. Other sites he has written for include We Are Cult, Horrified, and America's left-leaning news outlet ZNetwork. Publications he has written articles for include Stat Magazine and the fanzine Undefined Boundary: The Journal of Psychick Albion. He is also a regular contributor to the Geek Show's podcasts, including Pop Screen and the Uncut series, and he can be found on Letterboxd.
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Yesterday, Today and Tomorrow (1963) a brightly colourful, carefree and sexy production (Review)

Mark Cunliffe 21/08/2017
Yesterday, Today and Tomorrow (1963) a brightly colourful, carefree and sexy production (Review)

I have to level with you. I am besotted with Sophia Loren. She has to be one of the ultimate, if not the ultimate, goddesses of the screen.  Frankly, in my eyes she is perfection. And whenever I watch a film with Sophia Loren I always find myself thinking: ‘God, […]

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Aquarius (2016) Sonia Braga towers over this bloated love affair with the home space (Review)

Mark Cunliffe 19/07/2017
Aquarius (2016) Sonia Braga towers over this bloated love affair with the home space (Review)

What I will say about Aquarius, the latest film from Brazilian filmmaker Kleber Mendonça Filho is that it is an absorbing, detailed and considerate character study of its female protagonist – and more, that protagonist happens to be a woman in her mid-sixties. There really isn’t enough major roles or stories […]

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Graduation (2016) a cinematically damning indictment of Romanian society in three well-versed acts (Review)

Mark Cunliffe 08/06/2017
Graduation (2016) a cinematically damning indictment of Romanian society in three well-versed acts (Review)

Despite some questionable actions, it’s hard not to feel sorry for  Adrian Titieni’s Dr Romeo Aldea in award-winning director Cristian Mungiu’s film Graduation (or Bacalaureat as it is known in its native Romania); weighed down by middle age and with only his good reputation to comfort him and measure his success by, […]

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Destiny (DER MÜDE TOD)(1921) The Pathway to Fritz Lang’s Landmark Achievements (Review)

Mark Cunliffe 24/05/2017
Destiny (DER MÜDE TOD)(1921) The Pathway to Fritz Lang’s Landmark Achievements (Review)

In what is already unarguably an eclectic and impressive body of work, Fritz Lang’s 1921 silent epic Destiny (or Der müde Tod as it is known in its native tongue) ranks as one of the legendary filmmaker’s stranger productions. Written by his wife, Thea von Harbou, Destiny tells the story of […]

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Taskafa, Stories of the Street/Estate, a Reverie: Two Films by Andrea Luka Zimmerman

Mark Cunliffe 05/05/2017

This DVD from Second Run features two wonderfully satisfying and symbiotic documentary features from filmmaker and creative artist Andrea Luka Zimmerman, Taskafa, Stories of the Street from 2013, and Estate, a Reverie from 2015. On initial inspection you may think there is very little thematically in common between Taskafa, an […]

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Letter to Brezhnev (1985) A tough, rough and influential British Rom-Com (Review)

Mark Cunliffe 25/04/2017
Letter to Brezhnev (1985) A tough, rough and influential British Rom-Com (Review)

Call me a sentimental old northerner, but the opening to Letter to Brezhnev remains one of my favourite moments of celluloid. Whilst budgetary constraints mean that it may not be as epic as it clearly wants to be, it nevertheless understands that Liverpool is a British city to be mythologised; […]

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Lost In France (2016) Documenting the Glasgow Indie Rock Scene (Review)

Mark Cunliffe 13/04/2017
Lost In France (2016) Documenting the Glasgow Indie Rock Scene (Review)

The music industry is full of holy grail moments. A significant, chance meeting that launches a band that goes on to change the world, a landmark album, a legendary gig or the promise of what might have been.  It doesn’t matter what band, singer or record label you worship, all […]

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Alice Doesn’t Live Here Anymore (1974) From the Exorcist to long-suffering housewife, Ellen Burstyn’s incredible Charismatic Lead (Review)

Mark Cunliffe 29/03/2017
Alice Doesn’t Live Here Anymore (1974) From the Exorcist to long-suffering housewife, Ellen Burstyn’s incredible Charismatic Lead (Review)

Ellen Burstyn was riding high off the back of The Exorcist and looking for a prospective project to make with Warner Brothers when Robert Getchell’s script for what was to become Alice Doesn’t Live Here Anymore fell into her lap. It was the early 1970s and feminism was beginning to […]

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Who’s That Knocking At My Door (1968) Right from the off, Scorsese proved himself to be very special (Review)

Mark Cunliffe 23/03/2017
Who’s That Knocking At My Door (1968) Right from the off, Scorsese proved himself to be very special (Review)

Who’s That Knocking At My Door, Martin Scorsese’s black and white debut feature film from 1968, originally started out life as his NYU graduation project some three years earlier. Aged just 23, armed with a minuscule budget and relying on numerous favours, Scorsese took to the familiar streets of his […]

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Through the Wall (2017) Hasidic Judaism Rom-Com still falls into Rom-Com Traps (Review)

Mark Cunliffe 06/03/2017
Through the Wall (2017) Hasidic Judaism Rom-Com still falls into Rom-Com Traps (Review)

“I have a hall. I have a dress. The apartment is almost ready. It’s a small task for God to find me a groom by the end of Hanukkah” So says Michal, the kooky heroine of writer/director Rama Burshtein’s Through the Wall (alternatively known as Laavor Et Hakir in its […]

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