Making their UK Blu-ray debut last week as part of Eureka’s Masters of Cinema label was a set of three landmark films from Polish auteur Andrzej Żuławski. The first is his 1971 debut feature The Third Part of the Night, and the second is his controversial 1972 movie The Devil, […]
Mark Cunliffe
Commedia all’italiana: Three Films by Dino Risi (1959-1962) (Review)
Commedia all’italiana, or Italian-style comedy, was a genre of Italian cinema that achieved considerable success from the 1950s through to the 1970s. These films, though farcical and/or satirical, placed a greater emphasis than before on realism, shooting on location and creating believable, three dimensional characters. They were united by the […]
A Moment of Romance (1990): Heroic Bloodshed and Young Love (Review)
Kate & Jake (2023) Liverpool’s Linklater? (Review)
Cosa Nostra (1968-1975): A Trilogy of Corruption, Italian Style (Review)
Radiance Films celebrate a remarkable trilogy of films from renowned Italian director Damiano Damiani (of 1966’s A Bullet for the General fame) and arguably the country’s most celebrated male star, Franco Nero, with their Cosa Nostra boxset released today. In the postwar period, Italian cinema led the way with their […]
Baby Brother (2023) Impressive Micro-Budget Liverpool Indie (Review)
O.C. and Stiggs (1987): What Did I Just Watch? (Review)
Radiance continues its run of unearthing movies that have spent too long neglected and in the shadows. What is usually the case with Radiance, is that these movies are European, foreign language productions. Not so this week, were they have dusted down two Hollywood movies from a rightly much acclaimed […]
The Iron Prefect (1977): Giuliano Gemma Cleans Up Sicily (Review)
This week’s release from Radiance is Pasquele Squitieri’s 1977 movie Il Prefetto di Ferro, alternatively known as both The Iron Prefect and I Am the Law in English speaking territories. Fans of Italian genre cinema take note, Radiance offers this up as a delicious primer ahead of their epic Cosa […]
To Nowhere (2020): Queer Coming-of-Age British Indie (Review)
Released to cinemas and Curzon Home on 30th June, To Nowhere is the unflinching feature debut of director Sian Astor-Lewis. A striking blend of arthouse and kitchen sink, this low-budget, crowd-funded British indie explores the coming-of-age travails of two queer teenagers, taking us deep into the heart of their emotionally […]
Love Gets a Room (2021): A Holocaust Musical? (Review)
A movie about the Holocaust…but it’s a musical. You’ve got to admit, it takes some cojones to make that movie. Spanish director Rodrigo Cortés obviously believes he has those cojones. The filmmaker resposinble for the challenge of 2010’s claustrophobic, single-setting thriller Buried, steps up now to make Love Gets a […]