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Saturday, Mar 7, 2026
New REVIEWS!
ELSE (2024) A Claustrophobic French Body Horror That Gets Under Your Skin
The Stunt Man (1980) When Making a Movie Becomes a Matter of Life and Death
The Ugly Stepsister (2025) A Beautifully Deranged Fairy Tale
Libido (1965) Argento may be The Artist, but Gastaldi is The Man
Redux Redux (2025) Reclaiming the Multiverse, One Brutal Reality at a Time
Jimmy & Stiggs (2024) The Messy, Mean, DIY Splatterfest Begos Was Born to Make
Charisma (1999) / Cloud (2024): A Showcase for One of the Greatest Living Filmmakers
Illustrious Corpses (1976): The Paranoid Style in Italian Thrillers
Potwash (2026, Short) An Intriguing and Enveloping Tale of Work, Music, and Escapism
Blood of Revenge (1965) A Yakuza Tale Characterised by Beautiful Compositions 
Tim Travers and the Time Travelers Paradox (2024)  The Grandfather Paradox Gets a Splatter-Comedy Makeover
The Strange Dark (2024) A Cosy Thriller Where The Twilight Zone Invades a Hallmark Movie
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Mike Leitch

I'm an autistic guy living in Cardiff, searching for any excuse to write and make the most out of what he got from his English Literature MA. Main interests are horror, in pretty much any medium, theatre and literature.
  • Movies & Documentaries
  • Reviews

John and the Hole (2021); A Child’s Fantasy or an Eerie Nightmare? (Review)

Mike Leitch 13/10/2021
John and the Hole (2021); A Child’s Fantasy or an Eerie Nightmare? (Review)

Following its UK premiere at Frightfest, Vertigo Releasing’s John and the Hole is released in cinemas and digitally as the latest in the growing trend of indie arthouse horror. Nicolas’ Giacobone adapts his own short story, ‘El Pozo’ (approximately translated to ‘The Well’) with collaborator Pascual Sisto making his directorial […]

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  • Reviews

Dementer + Jug Face (2019/2013) A Pair of Outsider Horrors (Review)

Mike Leitch 01/10/2021
Dementer + Jug Face (2019/2013) A Pair of Outsider Horrors (Review)

With this double-disc set, Arrow have put together a nice showcase of Chad Crawford Kinkle’s two features, Dementer (2019) and Jug Face (2013). Both show off Kinkle’s range with the former mixing docu-drama with occult horror, while the latter is a straight-up folk horror set in the American South. He shows clear talent in terms of sound design and […]

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