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Tuesday, Oct 20, 2026
New REVIEWS!
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema
Histoire(s) du cinéma (1988-1998): review 1B – the history(s)

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The Wolfpack (2015): One of the most uplifting horror stories you’ll see (Review)

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The Story of Adele H (1977) Sacrifices the polite baggage of the Costume Drama becoming like a nightmare

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Noise (2017): getting to the truth of true crime

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Body Heat (1981) Double Indemnity Reinvisioned as a Sexy 80s Neo-Noir (Review)

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The Spine of Night (2021) A shining example of what can be done with a singular vision (Blu-Ray Review)

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The In-Laws (1979) a pure-bred comedy unicorn (Review)

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Dancing Village: The Curse Begins (2024): Nimbly avoids the curse of Prequels (Review)

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The Cat and the Canary & The Ghost Breakers (1939/1940) (Blu-Ray Review)

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78/52: Hitchcock’s Shower Scene (2017) Whether it is a glorified extra or a film of its own right remains to be seen (Review)

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Manina, the Lighthouse-Keeper’s Daughter (1949) Host to the Best Extra Feature of 2017? (Review)

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Walking the Edge (1985)Exploitation, Scuzz and Robert Forster’s Masterclass (Review)

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Final Summer (2023): A Summer Camp Slasher Without A Deep Cut (Review)

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Rob Simpson

Chief Editor Host of the Uncut Network. With a love of movies kicked off by Hong Kong Action and Claymation Monsters, Rob has forever been cradled in the bosom of Cinema. Rob has his hands in many a pie, including no budget film making. Filthy
  • Movies & Documentaries
  • Reviews

A Small Fortune (2021) Dying Town Malaise and Small-time Canadian Crime (Review)

Rob Simpson 10/05/2023
A Small Fortune (2021) Dying Town Malaise and Small-time Canadian Crime (Review)

A breed of director has had success to such a profound degree that their name has become an adjective through which other films are qualified or compared. Spielbergian, Malickian, Lynchian, Coen Brothers-like, you get the idea, but the point remains that such qualifiers favour neither party. This leads me to […]

  • Movies & Documentaries
  • Reviews

The Curse of Rosalie (2022) Too Much Movie in this Movie (Review)

Rob Simpson 18/04/2023
The Curse of Rosalie (2022) Too Much Movie in this Movie (Review)

What’s in the title of a movie? If the title is The Harbinger, then plenty. One of the more acclaimed indie titles of 2022 was Andy Mitton‘s Harbinger, a terror inspired by the anonymity of COVID-death figures. A title Mitton’s film shared with Will Klipstine’s native-American-infused fantasy/ religious horror. The […]

  • Movies & Documentaries
  • Reviews

Walking the Edge (1985)Exploitation, Scuzz and Robert Forster’s Masterclass (Review)

Rob Simpson 03/03/2023
Walking the Edge (1985)Exploitation, Scuzz and Robert Forster’s Masterclass (Review)

New Label Radiance Films has kicked off with considerable intent; as well as their releases, they are also working with Mawu Films, Altered Innocence and Fun City Editions (UK) – the latter of which 1985’s Walking the Edge belongs. Norbert Meisel directs his wife, Nancy Kwan, and committed character actor […]

  • Movies & Documentaries
  • Reviews

The Fearway (2023) Seeking the Film Within the Film (Review)

Rob Simpson 14/02/2023
The Fearway (2023) Seeking the Film Within the Film (Review)

The Fearway, the directorial debut from the editor of Lucky (2017), Robert Gajic, has been promoted as horror with quotes like “A Cross between Jeepers Creepers and Duel” appearing in the press materials, it’s also categorised that way on websites like IMDb & Letterboxd. Even if Noah Bessey’s script has […]

  • From the Festivals
  • Pop Culture

New Religion (Slamdance 2023) (Review)

Rob Simpson 29/01/2023
New Religion (Slamdance 2023) (Review)

Here we are, our concluding look at Slamdance 2023 with a movie that made a splash with the most adventurous viewers at last year’s Frightfest. Before that, though, the grand jury decided who is to be awarded the top honours. Narrative Feature: “Waiting for the Light to Change” (Dir. Linh […]

  • From the Festivals
  • Pop Culture

Punk Rock Vegan Movie (Slamdance 2023)

Rob Simpson 26/01/2023
Punk Rock Vegan Movie (Slamdance 2023)

We return to Slamdance for our penultimate day of coverage. Kicking the week off with Mad Cats, then onto The Underbug, Starring Jerry as Himself, The Mad Writer and Stars in the Ordinary Universe, which brings us to one of the festival’s headline films, from Moby – the say what […]

  • From the Festivals
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Stars in the Ordinary Universe & The Mad Writer (Slamdance 2023)(Review)

Rob Simpson 25/01/2023
Stars in the Ordinary Universe & The Mad Writer (Slamdance 2023)(Review)

Following Mad Cats, Starring Jerry as Himself and the Underbug, we return to Slamdance for more coverage of a film festival that celebrates new, emerging and alternative voices within the world of art, film and beyond. Thus far, I have been trying to theme my articles and failing miserably because […]

  • Pop Culture
  • From the Festivals

The Underbug & Starring Jerry as Himself (Slamdance 2023) (Review)

Rob Simpson 24/01/2023 2
The Underbug & Starring Jerry as Himself (Slamdance 2023) (Review)

We are dropping in on the Slamdance film festival in Utah every day – yesterday we had Mad Cats, and today we have the Underbug & Starring Jerry as Himself. Starting with a punchy Indian horror movie from Shujaat Saudagar called the Underbug. Punchy as it’s only 68 minutes. On […]

  • From the Festivals
  • Pop Culture

MAD CATS (2023) Review (Slamdance Film Festival)

Rob Simpson 23/01/2023 2
MAD CATS (2023) Review (Slamdance Film Festival)

Sometimes things go unnoticed for years until someone draws attention to them. Case in point, in the press kit for Reiki Tsuno’s Mad Cats – he remarks that most Independent Japanese films are “so sad, serious, and depressing most of the time… Budgets for indie movies in Japan are actually […]

  • Pop Culture

Rob’s Music of 2022 (feat. Denzel Curry, Soul Glo, Chat Pile and Witch Fever)

Rob Simpson 22/12/2022
Rob’s Music of 2022 (feat. Denzel Curry, Soul Glo, Chat Pile and Witch Fever)

We aren’t a music website, never have been never will be. But that doesn’t mean we can’t dabble when it’s appropriate and right now, at the end of the year, when every website under the sun is doing its 2022 articles and coverage makes it appropriate. Some of the bands […]

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